#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#62: Be kind. Full dishwasher: empty it.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#62: Be kind. Full dishwasher: empty it.|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#28: Make Contracts.|
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