#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#51: How do we invite the true unknown?|#111: Do it together.|#26: More artists, less borders.|#56: Take a lunch break.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#51: How do we invite the true unknown?|#111: Do it together.|#26: More artists, less borders.|#56: Take a lunch break.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|
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