#92: We’re a learning organisation.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|
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