#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#92: We’re a learning organisation.|#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#92: We’re a learning organisation.|#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|