#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|
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