#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#124: Do less, do it better.|#35: The artist fee should be good.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#124: Do less, do it better.|#35: The artist fee should be good.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#32: Be pan-gender polyphonic.|
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