#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#91: Embrace doubt.|#26: More artists, less borders.|#40: Follow the artist|#62: Don’t be a dick. Full dishwasher: empty it.|#92: We’re a learning organisation.|#107: Build a community / scene.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#91: Embrace doubt.|#26: More artists, less borders.|#40: Follow the artist|#62: Don’t be a dick. Full dishwasher: empty it.|#92: We’re a learning organisation.|#107: Build a community / scene.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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