#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#28: Make Contracts.|#91: Embrace doubt.|#26: More artists, less borders.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#28: Make Contracts.|#91: Embrace doubt.|#26: More artists, less borders.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|
