#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
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