#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#94: No objections? Just do it.|