#84: The White Cube is a lie.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|
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Kunstal Gent is toegankelijk, ook voor minder mobiele bezoekers en personen met een auditieve of visuele handicap.

Minder mobiele bezoekers
  • Alle trappen en tredes op het gelijkvloers zijn voorzien van een helling.
  • Er zijn zitbanken in de zaalkerk en aangepast sanitar.
  • Kunsthal Gent is gelegen aan de rand van het Patershol en omringd door straatjes met kasseien.
  • Het eerste verdiep (KHG#01 en KHG#03) is op dit moment enkel toegankelijk via trappen
Personen met een auditieve handicap
  • In het museum zijn informatieve zaalteksten aanwezig.
  • Het grootste deel van de werken in Kunsthal Gent zijn erg visueel.
  • Alle filmfragmenten worden ondertiteld (altijd in het Engels, soms bijkomend in het Nederlands).
Personen met een visuele handicap
  • Geleidehonden zijn welkom in het museum.