#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#56: Take a lunch break.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#56: Take a lunch break.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|
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Kunstal Gent is toegankelijk, ook voor minder mobiele bezoekers en personen met een auditieve of visuele handicap.

Minder mobiele bezoekers
  • Alle trappen en tredes op het gelijkvloers zijn voorzien van een helling.
  • Er zijn zitbanken in de zaalkerk en aangepast sanitar.
  • Kunsthal Gent is gelegen aan de rand van het Patershol en omringd door straatjes met kasseien.
  • Het eerste verdiep (KHG#01 en KHG#03) is op dit moment enkel toegankelijk via trappen
Personen met een auditieve handicap
  • In het museum zijn informatieve zaalteksten aanwezig.
  • Het grootste deel van de werken in Kunsthal Gent zijn erg visueel.
  • Alle filmfragmenten worden ondertiteld (altijd in het Engels, soms bijkomend in het Nederlands).
Personen met een visuele handicap
  • Geleidehonden zijn welkom in het museum.