#98: The success of it will not lie in the result but in the process.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#4: Pay what you can.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#98: The success of it will not lie in the result but in the process.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#4: Pay what you can.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|
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