#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|
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