#119: Be a space of production.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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