#81: Things come alive when there is friction.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#111: Do it together.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#107: Build a community / scene.|#4: Pay what you can.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#81: Things come alive when there is friction.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#111: Do it together.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#107: Build a community / scene.|#4: Pay what you can.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Tentoonstelling

Michaël Bussaer:
Chain

Michaël Bussaer (1973), momenteel gevestigd in Gent, heeft sinds 1997 zijn eigen onafhankelijke grafisch ontwerpstudio. Hij werkt zowel voor onafhankelijke kunstenaars, culturele instellingen, als theater- en dansgezelschappen, enz. Naast zijn ontwerppraktijk doceert hij sinds 2002 Grafisch Ontwerp aan de LUCA School of Arts, Gent. Bussaer is ook de oprichter, curator en organisator van de lezingenreeks Bold Italic (www.bolditalic.be): een jaarlijks evenement rond Grafisch Ontwerp met lezingen en presentaties door internationale grafisch ontwerpers/kunstenaars, dat plaatsvond van 2005 tot 2014.

1 Chain 2018 (banier)
Digitale print, blockout pvc 615 x 76,5 cm

2 Chain 2018 (lichtwerk) i.s.m. Kwinten Lavigne
TL lampen, elektrische bedrading
Editie van 12 + 2.A.P.
collectie MANIERA Brussels

Michaël Bussaer:
Chain

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TENTOONSTELLINGSZICHTEN
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