#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#91: Embrace doubt.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#91: Embrace doubt.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Tentoonstelling

Michaël Bussaer:
Chain

Michaël Bussaer (1973), momenteel gevestigd in Gent, heeft sinds 1997 zijn eigen onafhankelijke grafisch ontwerpstudio. Hij werkt zowel voor onafhankelijke kunstenaars, culturele instellingen, als theater- en dansgezelschappen, enz. Naast zijn ontwerppraktijk doceert hij sinds 2002 Grafisch Ontwerp aan de LUCA School of Arts, Gent. Bussaer is ook de oprichter, curator en organisator van de lezingenreeks Bold Italic (www.bolditalic.be): een jaarlijks evenement rond Grafisch Ontwerp met lezingen en presentaties door internationale grafisch ontwerpers/kunstenaars, dat plaatsvond van 2005 tot 2014.

1 Chain 2018 (banier)
Digitale print, blockout pvc 615 x 76,5 cm

2 Chain 2018 (lichtwerk) i.s.m. Kwinten Lavigne
TL lampen, elektrische bedrading
Editie van 12 + 2.A.P.
collectie MANIERA Brussels

Michaël Bussaer:
Chain

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TENTOONSTELLINGSZICHTEN
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