#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#91: Embrace doubt.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#91: Embrace doubt.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
