#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#28: Make Contracts.|#51: How do we invite the true unknown?|#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#28: Make Contracts.|#51: How do we invite the true unknown?|#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|
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Opening: 25.01.2019 – 18:00

25.01—∞

Tentoonstelling

Michaël Bussaer:
Chain

Michaël Bussaer (1973), momenteel gevestigd in Gent, heeft sinds 1997 zijn eigen onafhankelijke grafisch ontwerpstudio. Hij werkt zowel voor onafhankelijke kunstenaars, culturele instellingen, als theater- en dansgezelschappen, enz. Naast zijn ontwerppraktijk doceert hij sinds 2002 Grafisch Ontwerp aan de LUCA School of Arts, Gent. Bussaer is ook de oprichter, curator en organisator van de lezingenreeks Bold Italic (www.bolditalic.be): een jaarlijks evenement rond Grafisch Ontwerp met lezingen en presentaties door internationale grafisch ontwerpers/kunstenaars, dat plaatsvond van 2005 tot 2014.

1 Chain 2018 (banier)
Digitale print, blockout pvc 615 x 76,5 cm

2 Chain 2018 (lichtwerk) i.s.m. Kwinten Lavigne
TL lampen, elektrische bedrading
Editie van 12 + 2.A.P.
collectie MANIERA Brussels

Michaël Bussaer:
Chain

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TENTOONSTELLINGSZICHTEN
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