#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#137: Use the publication as programming space|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#137: Use the publication as programming space|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

Opening: 25.01.2019 – 18:00

25.01—∞

Tentoonstelling

Michaël Bussaer:
Chain

Michaël Bussaer (1973), momenteel gevestigd in Gent, heeft sinds 1997 zijn eigen onafhankelijke grafisch ontwerpstudio. Hij werkt zowel voor onafhankelijke kunstenaars, culturele instellingen, als theater- en dansgezelschappen, enz. Naast zijn ontwerppraktijk doceert hij sinds 2002 Grafisch Ontwerp aan de LUCA School of Arts, Gent. Bussaer is ook de oprichter, curator en organisator van de lezingenreeks Bold Italic (www.bolditalic.be): een jaarlijks evenement rond Grafisch Ontwerp met lezingen en presentaties door internationale grafisch ontwerpers/kunstenaars, dat plaatsvond van 2005 tot 2014.

1 Chain 2018 (banier)
Digitale print, blockout pvc 615 x 76,5 cm

2 Chain 2018 (lichtwerk) i.s.m. Kwinten Lavigne
TL lampen, elektrische bedrading
Editie van 12 + 2.A.P.
collectie MANIERA Brussels

Michaël Bussaer:
Chain

MDC_KH_banier_001_HR

TENTOONSTELLINGSZICHTEN
MDC_KH_maniera_002_HR
MDC_KH_maniera_001_HR