#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
