#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#37: Operate with radical transparency.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#37: Operate with radical transparency.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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