#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#91: Embrace doubt.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#91: Embrace doubt.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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