#74: Last one out turns of the lights.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#111: Do it together.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#40: Follow the artist|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#74: Last one out turns of the lights.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#111: Do it together.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#40: Follow the artist|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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