#17: An exhibition is never finished.|#26: More artists, less borders.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#17: An exhibition is never finished.|#26: More artists, less borders.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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