#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|#28: Make Contracts.|#119: Be a space of production.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|#28: Make Contracts.|#119: Be a space of production.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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