#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
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Opening: 25.01.2019 – 18:00

25.01—∞

Exhibition

Michaël Bussaer:
Chain

Michaël Bussaer (1973), currently based in Ghent, is running his own independent graphic design studio since 1997. Clients range from independent artists, cultural institutions, theatre/dance companies, etc… Alongside his studio practice he teaches Graphic Design at LUCA School of Arts, Ghent since 2002. Michaël Bussaer also founded, curated and organised the lecture series Bold Italic (www.bolditalic.be) from 2005—2014, an annual event related to Graphic Design with lectures and presentations by international graphic designers/artists.

1 Chain (banner)
Digital print, blockout pvc 615 x 76,5 cm

2 Chain (light) i.c.w. Kwinten Lavigne
Fluorescent lights, electrical fittings
Edition of 12 + 2 A.P.
Courtesy of MANIERA Brussels

Michaël Bussaer:
Chain

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EXHIBITION VIEWS
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