#61: No all male install teams.|#21: Live with the exhibition, spend time with it.|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#61: No all male install teams.|#21: Live with the exhibition, spend time with it.|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|
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Opening: 24.05.2019 – 11:00

24.05—∞

Exhibition

Rudy Guedj:
Everything In This World Has Two Handles

Rudy Guedj (1988, FR) is a graphic designer based in Amsterdam. He has worked on various commissioned and autonomous projects ranging from book design, exhibition design, animation, illustration and installation. His interest lies in exploring the processes at play during the construction of visual narratives and the de-/reconstruction of (architectural) spaces, often through drawing. He started the publishing imprint Building Fictions in 2017.

Rudy Guedj:
Everything In This World Has Two Handles

Rudy_guedj_kunsthal_gent_michieldecleene

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