#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#6: Demand that visitors are active.|
This website uses cookies to improve your user experience. More info

Opening: 28.05.2021 – 20:00

28.05—∞

Exhibition

EVA FABREGAS:
SKIN-LIKE

SKIN-LIKE

The work of Eva Fàbregas investigates how our bodies and our desires are determined by the politics of industrial design. Fascinated by synthetic materials and their production process, she pushes the boundaries of sculpture by encouraging the possibilities of direct tactile involvement, affectivity and somatic experimentation between people and objects. In her work, sexual drives and affection, freed from the biological constraints of the body, are allowed to flow in all directions, blurring the boundaries between organic and inorganic matter. Starting from the prosthetic nature of design, architecture and technology, her work explores the eroticism of utilitarian objects and the mass production of desire. In addition to the formal and architectural qualities of her work, which are also reflected in the strong drawings she makes for her installations, the works are also utilitarian objects and almost become furniture.

Especially for the Endless Exhibition, Fabregas created a completely new series of objects. The materiality and the longing for touch that is expressed in Eva Fàbregas' colourful and monumental work form a great contrast with the strictly male and religious origins of the building of Kunsthal Gent. A contrast and tension that takes on a new dimension since the current corona crisis.

Eva Fàbregas (1988) was born in Barcelona and lives and works in London.Her work has been shown in various exhibitions in major galleries and museums, including DISPLAY Berlin, Laure Genillard gallery London, Concentrocentro Madrid and Kunstverein München.

Made possible with the support of Arts & Culture fund by the embassy of Spain

EVA FABREGAS:
SKIN-LIKE

MDC KH Eva Fabregas 001 LR

EXHIBITION VIEWS
Screen Shot 2021 05 14 at 13 57 58
MDC KH Eva Fabregas 025 LR
MDC KH Eva Fabregas 024 LR
MDC KH Eva Fabregas 028 LR
MDC KH Eva Fabregas 027 LR
MDC KH Eva Fabregas 023 LR
MDC KH Eva Fabregas 022 LR
MDC KH Eva Fabregas 021 LR
MDC KH Eva Fabregas 020 LR
MDC KH Eva Fabregas 019 LR
MDC KH Eva Fabregas 018 LR
MDC KH Eva Fabregas 017 LR
MDC KH Eva Fabregas 016 LR
MDC KH Eva Fabregas 014 LR
MDC KH Eva Fabregas 015 LR
MDC KH Eva Fabregas 013 LR
MDC KH Eva Fabregas 012 LR
MDC KH Eva Fabregas 011 LR
MDC KH Eva Fabregas 010 LR
MDC KH Eva Fabregas 001 LR
MDC KH Eva Fabregas 004 LR
MDC KH Eva Fabregas 009 LR
MDC KH Eva Fabregas 008 LR
MDC KH Eva Fabregas 007 LR
MDC KH Eva Fabregas 006 LR
MDC KH Eva Fabregas 002 LR
MDC KH Eva Fabregas 005 LR
MDC KH Eva Fabregas 003 LR