#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|
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