#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|