#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|
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