#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#119: Be a space of production.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#56: Take a lunch break.|#36: We support production separately.|#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#119: Be a space of production.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#56: Take a lunch break.|#36: We support production separately.|
This website uses cookies to improve your user experience. More info
CURRENT EXHIBITIONS

ARCHIVE