#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#137: Use the publication as programming space|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#137: Use the publication as programming space|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|
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Opening: 30.09.2022 – 20:00

30.09—∞

Exhibition

Theo De Meyer en Olivier Goethals:
Een nieuwe bar voor Kunsthal Gent

Kunsthal Gent introduces its new bar, Sheela's.

Ghent artists Theo De Meyer and Olivier Goethals together created an entirely new space at the entrance to Kunsthal Gent's main hall church. With the bar as a central element, this becomes a place for meeting and relaxation, complementing the building's work and exhibition spaces. In their practice, De Meyer and Goethals explore the boundaries of architecture, art and design. The result is a natural confluence of two highly personal visual languages.

The new bar takes its name from the Summerschool organised by Jesse Jones and Sara O'Rourke at Kunsthal Gent in the summer of 2022. The figure 'Sheela na Gig' is a medieval guardian spirit, a 'witch in the wall' still found on churches and other buildings across Europe.

Sheela's is open on weekends from 11 a.m. to 6 p.m. and during all public moments at Kunsthal Gent.

Bio

Theo De Meyer lives and works in Ghent. De Meyer moves between architecture, design and the arts, often reconciling the various disciplines in his projects. He plays with context and scale, interprets and transforms, creating new worlds from the act of building. In addition to his work as an architect, De Meyer is also teaching. Collaboration plays an important role in his cross-disciplinary practice. He and doorzon interieur architecten together represent the core of the modular collective Stand Van Zaken (‘State of Affairs’), who create furniture and architecture in collaboration with specialists in various fields. Driven by the shared enthusiasm of its members, Stand van Zaken supports the creation and development of objects, buildings and ideas.

Olivier Goethals lives and works in Ghent. He studied Architecture and Urban Development. He is working simultaneously as architect and artist. In his wide practice he researches the connection between physical space and consciousness. Olivier made spatial interventions and artistic installations for venues such as: Palais De Tokyo Paris, Z33 Hasselt, CIAP Hasselt, Extra City Antwerp, Gallery Marion De Cannière Antwerp, Be-Part Waregem, NUCLEO Ghent, LUCA Ghent, 019 Ghent, ... Previously he worked as a freelance senior architect for De Vylder Vinck Taillieu for eight years. Since 2010, he is teaching at the KU Leuven Architecture Department. He was a guest teacher at RU Ghent faculty of Architecture, LUCA School of Arts Experimental Studio and ETH Zurich faculty of Architecture, among other institutes.


Theo De Meyer en Olivier Goethals:
Een nieuwe bar voor Kunsthal Gent

MDC KHG Bar 003 LR

EXHIBITION VIEWS
MDC KHG Bar 001 LR
MDC KHG Bar 002 LR
MDC KHG Bar 003 LR
MDC KHG Bar 004 LR
MDC KHG Bar 005 LR
MDC KHG Bar 006 LR
MDC KHG Bar 007 LR
MDC KHG Bar 009 LR
MDC KHG Bar 010 LR
MDC KHG Bar 011 LR
Theo Bar 1