#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#82: Clean and sterile looks professional, but really boring.|