#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#34: We pay artists.|#111: Do it together.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#84: The White Cube is a lie.|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#34: We pay artists.|#111: Do it together.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#84: The White Cube is a lie.|#107: Build a community / scene.|
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14.03.2019 19:00

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet

Pay what you can

Auteursrechten voor visuele kunstenaars

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet (SOFAM)
De lezing is gratis, mits inschrijving via goo.gl/forms/edqkg7TPzPmTvL1F2 vòòr 12 maart!
'Je hebt iets nieuws gemaakt. Je had een idee, en vertaalde het in een originele vorm. Je wilt het delen met de wereld, wat inhoudt dat het tijd is om na te denken over auteursrechten. Hoe beschermt de wet mijn werk? Wat zijn collectieve rechten, volgrechten? Hoe lang geldt het auteursrecht, en bij wie kan ik terecht voor meer informatie? Tijdens deze lezing bespreken we de basisbegrippen en geven we je tips over dit aspect van je professionele activiteit als visueel kunstenaar.'
SOFAM is een coöperatieve vennootschap bestuurd door kunstenaars, gespecialiseerd in het beheer van auteursrechten van visuele kunstenaars. Een eerlijke verloning voor creatief werk en de belangen van kunstenaars staan bij SOFAM centraal.