#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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14.03.2019 19:00

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet

Pay what you can

Auteursrechten voor visuele kunstenaars

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet (SOFAM)
De lezing is gratis, mits inschrijving via goo.gl/forms/edqkg7TPzPmTvL1F2 vòòr 12 maart!
'Je hebt iets nieuws gemaakt. Je had een idee, en vertaalde het in een originele vorm. Je wilt het delen met de wereld, wat inhoudt dat het tijd is om na te denken over auteursrechten. Hoe beschermt de wet mijn werk? Wat zijn collectieve rechten, volgrechten? Hoe lang geldt het auteursrecht, en bij wie kan ik terecht voor meer informatie? Tijdens deze lezing bespreken we de basisbegrippen en geven we je tips over dit aspect van je professionele activiteit als visueel kunstenaar.'
SOFAM is een coöperatieve vennootschap bestuurd door kunstenaars, gespecialiseerd in het beheer van auteursrechten van visuele kunstenaars. Een eerlijke verloning voor creatief werk en de belangen van kunstenaars staan bij SOFAM centraal.