#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|
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14.03.2019 19:00

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet

Pay what you can

Auteursrechten voor visuele kunstenaars

NUCLEO en SOFAM nodigen je graag uit op de lezing 'Auteursrechten voor visuele kunstenaars' door Kate Mayne en Tinne Billet (SOFAM)
De lezing is gratis, mits inschrijving via goo.gl/forms/edqkg7TPzPmTvL1F2 vòòr 12 maart!
'Je hebt iets nieuws gemaakt. Je had een idee, en vertaalde het in een originele vorm. Je wilt het delen met de wereld, wat inhoudt dat het tijd is om na te denken over auteursrechten. Hoe beschermt de wet mijn werk? Wat zijn collectieve rechten, volgrechten? Hoe lang geldt het auteursrecht, en bij wie kan ik terecht voor meer informatie? Tijdens deze lezing bespreken we de basisbegrippen en geven we je tips over dit aspect van je professionele activiteit als visueel kunstenaar.'
SOFAM is een coöperatieve vennootschap bestuurd door kunstenaars, gespecialiseerd in het beheer van auteursrechten van visuele kunstenaars. Een eerlijke verloning voor creatief werk en de belangen van kunstenaars staan bij SOFAM centraal.