#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#6: Demand that visitors are active.|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#6: Demand that visitors are active.|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|
