#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#89: Build-in impurity within the organisation.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#89: Build-in impurity within the organisation.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
