#19: Have fun at the exhibition.|#124: Do less, do it better.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#84: The White Cube is a lie.|#44: No name tags at dinner.|#19: Have fun at the exhibition.|#124: Do less, do it better.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#84: The White Cube is a lie.|#44: No name tags at dinner.|
