#124: Do less, do it better.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|