#124: Do less, do it better.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

24.04.2022 11:00

Pay what you can

Erfgoedddag 2022

Op Erfgoeddag 2022 opent Kunsthal Gent het hele huis. De tentoonstellingen zijn vrij te bezoeken en we presenteren twee videogesprekken met de Eredeken van Dekenij Patershol, Roger Van Bockstaele (99), die zijn geheugen uitdiept over de geschiedenis van de Zaalkerk, het Oud Huis en de 15e eeuwse wandschildering (videos: Shivadas De Schrijver.)

Zondag 24 april, 11.00 - 18.00 uur

EGD 2022 campagnebeeld publiek