Fiona Tan ﻿— Koninkrijk der schaduwen

#36: We support production separately.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|#61: No all male install teams.|#74: Last one out turns of the lights.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#56: Take a lunch break.|#6: Demand that visitors are active.|#28: Make Contracts.|#44: No name tags at dinner.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#36: We support production separately.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|#61: No all male install teams.|#74: Last one out turns of the lights.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#56: Take a lunch break.|#6: Demand that visitors are active.|#28: Make Contracts.|#44: No name tags at dinner.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|

17.03.2020 20:00

film screening in presence of the artist / GEANNULEERD

Pay what you can

Art Cinema OFFoff presenteert:
Fiona Tan — Koninkrijk der schaduwen