#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#36: We support production separately.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#99: Evolve according to changing needs.|#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#36: We support production separately.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#99: Evolve according to changing needs.|
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17.03.2020 20:00

film screening in presence of the artist / GEANNULEERD

Pay what you can

Art Cinema OFFoff presenteert:
Fiona Tan — Koninkrijk der schaduwen

LET OP! Alle activiteiten worden uitgesteld vanaf 13.03.


DINSDAG 17 MAART, 20:00
OFFoff art cinema presenteert:

Fiona Tan — Koninkrijk der schaduwen

NL • 2000 • 50' • kleur & z/w • digitaal

Opgelet! We verwelkomen filmmaker en visueel kunstenaar Fiona Tan in OFFoff op dinsdag 17 maart, en niet zoals traditioneel op maandag.

“Gij zult geen gesneden beelden maken of aanbidden.” Koninkrijk der schaduwen neemt dit religieuze beeldverbod als uitgangspunt om onze complexe omgang met de onophoudelijke beeldenstroom te onderzoeken. Doorheen een associatieve collage ontvouwt Tan haar persoonlijke visie op hoe geheugen en verbeelding vandaag in elkaar grijpen, en hoe de act van het kijken ook steeds creatie inhoudt, niet in het minst van onze (culturele) identiteit. In Koninkrijk der schaduwen tonen vier personages ons hun meest dierbare foto’s: een verzamelaar in Amsterdam, een cinematograaf die amateurfoto’s verzamelt in Boedapest, een gepensioneerde persfotograaf in Hamburg en een kunstenaar in New York. De foto’s die ze laten zien zijn humoristisch, vertederend en hartverscheurend.

In haar praktijk, die zich uitstrekt over films, installaties, video- en fotomateriaal, maakt Fiona Tan gebruik van beelden in de meest brede zin van het woord. Haar werk incorporeert zowel archiefmateriaal als originele beelden, die stilstaand of bewegend kunnen zijn en evengoed een fictieve als een documentaire realiteit tot resultaat hebben, nu eens in een bijzondere combinatie, dan weer strikt van elkaar gescheiden.

Deze avond wordt georganiseerd i.s.m LUCA School of Arts, De Film­avonden.

Tickets aan de kassa: 8 euro / 5 euro (reductie)

Fiona Tan 4 768x602