#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#124: Do less, do it better.|#137: Use the publication as programming space|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#124: Do less, do it better.|#137: Use the publication as programming space|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|
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17.03.2020 20:00

film screening in presence of the artist / GEANNULEERD

Pay what you can

Art Cinema OFFoff presenteert:
Fiona Tan — Koninkrijk der schaduwen

LET OP! Alle activiteiten worden uitgesteld vanaf 13.03.


DINSDAG 17 MAART, 20:00
OFFoff art cinema presenteert:

Fiona Tan — Koninkrijk der schaduwen

NL • 2000 • 50' • kleur & z/w • digitaal

Opgelet! We verwelkomen filmmaker en visueel kunstenaar Fiona Tan in OFFoff op dinsdag 17 maart, en niet zoals traditioneel op maandag.

“Gij zult geen gesneden beelden maken of aanbidden.” Koninkrijk der schaduwen neemt dit religieuze beeldverbod als uitgangspunt om onze complexe omgang met de onophoudelijke beeldenstroom te onderzoeken. Doorheen een associatieve collage ontvouwt Tan haar persoonlijke visie op hoe geheugen en verbeelding vandaag in elkaar grijpen, en hoe de act van het kijken ook steeds creatie inhoudt, niet in het minst van onze (culturele) identiteit. In Koninkrijk der schaduwen tonen vier personages ons hun meest dierbare foto’s: een verzamelaar in Amsterdam, een cinematograaf die amateurfoto’s verzamelt in Boedapest, een gepensioneerde persfotograaf in Hamburg en een kunstenaar in New York. De foto’s die ze laten zien zijn humoristisch, vertederend en hartverscheurend.

In haar praktijk, die zich uitstrekt over films, installaties, video- en fotomateriaal, maakt Fiona Tan gebruik van beelden in de meest brede zin van het woord. Haar werk incorporeert zowel archiefmateriaal als originele beelden, die stilstaand of bewegend kunnen zijn en evengoed een fictieve als een documentaire realiteit tot resultaat hebben, nu eens in een bijzondere combinatie, dan weer strikt van elkaar gescheiden.

Deze avond wordt georganiseerd i.s.m LUCA School of Arts, De Film­avonden.

Tickets aan de kassa: 8 euro / 5 euro (reductie)

Fiona Tan 4 768x602