#74: Last one out turns of the lights.|#28: Make Contracts.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#28: Make Contracts.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|
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15.08.2021 17:00

Rondleiding, start om 17.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Kunsthal Gent en de oude Karmelieten in combinatie met het kunstproject in de Drongenhofkapel. Tijdens de Patersholfeesten op zondag 15 augustus 2021 om 17u00. Startplaats: Lange Steenstraat 14 te Gent met gids Maggy Van Herreweghe.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

Op 15 augustus 2021 gaat ook het Zomersalon door in Kunsthal Gent. De tweede editie van het Zomersalon brengt in juli en augustus 2021 werken van 742 Gentenaars bijeen. Met dit initiatief roept Kunsthal Gent voor het tweede jaar op rij op om Gentse kunstenaars te steunen door hun werk te kopen. Dat is nodig want de coronacrisis blijft voor financiële moeilijkheden zorgen bij kunstenaars. De opbrengst van de verkoop van de werken gaat opnieuw integraal naar de kunstenaars.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar de Drongenhofkapel in het Patershol. Ontdek drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel in het Drongenhof met onze gids.

INFO & RESERVEREN