#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|