#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|
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15.08.2021 17:00

Rondleiding, start om 17.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Kunsthal Gent en de oude Karmelieten in combinatie met het kunstproject in de Drongenhofkapel. Tijdens de Patersholfeesten op zondag 15 augustus 2021 om 17u00. Startplaats: Lange Steenstraat 14 te Gent met gids Maggy Van Herreweghe.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

Op 15 augustus 2021 gaat ook het Zomersalon door in Kunsthal Gent. De tweede editie van het Zomersalon brengt in juli en augustus 2021 werken van 742 Gentenaars bijeen. Met dit initiatief roept Kunsthal Gent voor het tweede jaar op rij op om Gentse kunstenaars te steunen door hun werk te kopen. Dat is nodig want de coronacrisis blijft voor financiële moeilijkheden zorgen bij kunstenaars. De opbrengst van de verkoop van de werken gaat opnieuw integraal naar de kunstenaars.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar de Drongenhofkapel in het Patershol. Ontdek drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel in het Drongenhof met onze gids.

INFO & RESERVEREN