#74: Last one out turns of the lights.|#28: Make Contracts.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#28: Make Contracts.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|