#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#40: Follow the artist|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#40: Follow the artist|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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11.12.2022 14:00

Book event & signing

Pay what you can

Kato Six: sawing a plank is like going for a walk

Op zondag 11 december, van 14:00 tot 18:00, organiseren Posture Editions en Kato Six een boek event in Kunsthal Gent.

Kato Six toont een reeks handgemaakte wandtapijten en textielwerken met lijnen en patronen die verwijzen naar arbeid en de handeling van het maken. Ze zal tevens aanwezig zijn om haar boek ‘sawing a plank is like going for a walk’ te signeren, het boek dat Posture Editions uitgaf n.a.v. haar solotentoonstelling in M Leuven.

Posture Editions brengt enkele recent uitgegeven Edities en Pockets mee en nodigt je uit de ontbrekende nummers van je Posture Editions collectie aan te vullen, te snuffelen in de koopjesboxen of gewoon een praatje te maken en een glas te drinken in Sheela's, de nieuwe bar van Kunsthal.


Katosix1
Kato Six