#54: What about disabled artists?|#40: Follow the artist|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|#40: Follow the artist|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
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11.12.2022 14:00

Book event & signing

Pay what you can

Kato Six: sawing a plank is like going for a walk

Op zondag 11 december, van 14:00 tot 18:00, organiseren Posture Editions en Kato Six een boek event in Kunsthal Gent.

Kato Six toont een reeks handgemaakte wandtapijten en textielwerken met lijnen en patronen die verwijzen naar arbeid en de handeling van het maken. Ze zal tevens aanwezig zijn om haar boek ‘sawing a plank is like going for a walk’ te signeren, het boek dat Posture Editions uitgaf n.a.v. haar solotentoonstelling in M Leuven.

Posture Editions brengt enkele recent uitgegeven Edities en Pockets mee en nodigt je uit de ontbrekende nummers van je Posture Editions collectie aan te vullen, te snuffelen in de koopjesboxen of gewoon een praatje te maken en een glas te drinken in Sheela's, de nieuwe bar van Kunsthal.


Katosix1
Kato Six