#54: What about disabled artists?|#40: Follow the artist|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|#40: Follow the artist|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
