#124: Do less, do it better.|#34: We pay artists.|#81: Things come alive when there is friction.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#40: Follow the artist|#19: Have fun at the exhibition.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#34: We pay artists.|#81: Things come alive when there is friction.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#40: Follow the artist|#19: Have fun at the exhibition.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|
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07.11.2019 19:00

curatorial lecture series 'Working with Collections'

Pay what you can

curatorial studies presents:
MATHIEU COPELAND

Welkom voor de eerste Curatorial Lecture in de 2019-20 serie over het thema Working with Collections, door de Londense curator en uitgever

MATHIEU COPELAND


In Kunsthal Gent, 19:00 - 21:00 uur


--- Gratis, allen welkom
--- Engels gesproken

Als curator ontwikkelde Mathieu Copeland een praktijk die de traditionele rol van tentoonstellingen wil ondermijnen en onze perceptie van tentoonstellingen wil vernieuwen.

Hij was mede-auteur van de tentoonstelling "VOIDS, A Retrospective" (2009) in het Centre Pompidou, Parijs, en Kunsthalle, Bern, en stelde de bijbehorende bundel VOIDS samen.

Tot zijn recente tentoonstellingen behoren "A Retrospective of Closed Exhibitions" in de Kunsthalle Fribourg (2016) en "The exhibition of a film" (2014), een tentoonstelling als speelfilm voor in de bioscoop.

Copeland was de redacteur van de veelgeprezen uitgave en manifest "Choreographing Exhibitions" (2013). In 2017 was hij mede-auteur van "The Anti-Museum" (FRI ART / Koenig Books). Zijn meest recente uitgave - "Gustav Metzger: Writings" (JRP | Editions, 2019) - verschijnt deze maand.

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Elk academiejaar organiseren S.M.A.K., Universiteit Gent en Curatorial Studies aan KASK-School of Arts Gent samen de prestigieuze reeks Curatorial Lectures, met gerenommeerde curatoren en met betrekking tot een specifiek thema. Na "Working with Artists" (2017-18) en "Learning from Artists" (2018-19), gaat het thema van dit jaar in op de curatoriële uitdagingen van cureren in de context van publieke en private collecties.

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