#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|
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07.11.2019 19:00

curatorial lecture series 'Working with Collections'

Pay what you can

curatorial studies presents:
MATHIEU COPELAND

Welkom voor de eerste Curatorial Lecture in de 2019-20 serie over het thema Working with Collections, door de Londense curator en uitgever

MATHIEU COPELAND


In Kunsthal Gent, 19:00 - 21:00 uur


--- Gratis, allen welkom
--- Engels gesproken

Als curator ontwikkelde Mathieu Copeland een praktijk die de traditionele rol van tentoonstellingen wil ondermijnen en onze perceptie van tentoonstellingen wil vernieuwen.

Hij was mede-auteur van de tentoonstelling "VOIDS, A Retrospective" (2009) in het Centre Pompidou, Parijs, en Kunsthalle, Bern, en stelde de bijbehorende bundel VOIDS samen.

Tot zijn recente tentoonstellingen behoren "A Retrospective of Closed Exhibitions" in de Kunsthalle Fribourg (2016) en "The exhibition of a film" (2014), een tentoonstelling als speelfilm voor in de bioscoop.

Copeland was de redacteur van de veelgeprezen uitgave en manifest "Choreographing Exhibitions" (2013). In 2017 was hij mede-auteur van "The Anti-Museum" (FRI ART / Koenig Books). Zijn meest recente uitgave - "Gustav Metzger: Writings" (JRP | Editions, 2019) - verschijnt deze maand.

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Elk academiejaar organiseren S.M.A.K., Universiteit Gent en Curatorial Studies aan KASK-School of Arts Gent samen de prestigieuze reeks Curatorial Lectures, met gerenommeerde curatoren en met betrekking tot een specifiek thema. Na "Working with Artists" (2017-18) en "Learning from Artists" (2018-19), gaat het thema van dit jaar in op de curatoriële uitdagingen van cureren in de context van publieke en private collecties.

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