#2: Bring something new to the city of Ghent.|#36: We support production separately.|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#56: Take a lunch break.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#56: Take a lunch break.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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07.11.2019 19:00

curatorial lecture series 'Working with Collections'

Pay what you can

curatorial studies presents:
MATHIEU COPELAND

Welkom voor de eerste Curatorial Lecture in de 2019-20 serie over het thema Working with Collections, door de Londense curator en uitgever

MATHIEU COPELAND


In Kunsthal Gent, 19:00 - 21:00 uur


--- Gratis, allen welkom
--- Engels gesproken

Als curator ontwikkelde Mathieu Copeland een praktijk die de traditionele rol van tentoonstellingen wil ondermijnen en onze perceptie van tentoonstellingen wil vernieuwen.

Hij was mede-auteur van de tentoonstelling "VOIDS, A Retrospective" (2009) in het Centre Pompidou, Parijs, en Kunsthalle, Bern, en stelde de bijbehorende bundel VOIDS samen.

Tot zijn recente tentoonstellingen behoren "A Retrospective of Closed Exhibitions" in de Kunsthalle Fribourg (2016) en "The exhibition of a film" (2014), een tentoonstelling als speelfilm voor in de bioscoop.

Copeland was de redacteur van de veelgeprezen uitgave en manifest "Choreographing Exhibitions" (2013). In 2017 was hij mede-auteur van "The Anti-Museum" (FRI ART / Koenig Books). Zijn meest recente uitgave - "Gustav Metzger: Writings" (JRP | Editions, 2019) - verschijnt deze maand.

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Elk academiejaar organiseren S.M.A.K., Universiteit Gent en Curatorial Studies aan KASK-School of Arts Gent samen de prestigieuze reeks Curatorial Lectures, met gerenommeerde curatoren en met betrekking tot een specifiek thema. Na "Working with Artists" (2017-18) en "Learning from Artists" (2018-19), gaat het thema van dit jaar in op de curatoriële uitdagingen van cureren in de context van publieke en private collecties.

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