#16: Kunsthal Gent will always be a construction site.|#44: No name tags at dinner.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#111: Do it together.|#36: We support production separately.|#124: Do less, do it better.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#44: No name tags at dinner.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#111: Do it together.|#36: We support production separately.|#124: Do less, do it better.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#4: Pay what you can.|
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07.11.2019 19:00

curatorial lecture series 'Working with Collections'

Pay what you can

curatorial studies presents:
MATHIEU COPELAND

Welkom voor de eerste Curatorial Lecture in de 2019-20 serie over het thema Working with Collections, door de Londense curator en uitgever

MATHIEU COPELAND


In Kunsthal Gent, 19:00 - 21:00 uur


--- Gratis, allen welkom
--- Engels gesproken

Als curator ontwikkelde Mathieu Copeland een praktijk die de traditionele rol van tentoonstellingen wil ondermijnen en onze perceptie van tentoonstellingen wil vernieuwen.

Hij was mede-auteur van de tentoonstelling "VOIDS, A Retrospective" (2009) in het Centre Pompidou, Parijs, en Kunsthalle, Bern, en stelde de bijbehorende bundel VOIDS samen.

Tot zijn recente tentoonstellingen behoren "A Retrospective of Closed Exhibitions" in de Kunsthalle Fribourg (2016) en "The exhibition of a film" (2014), een tentoonstelling als speelfilm voor in de bioscoop.

Copeland was de redacteur van de veelgeprezen uitgave en manifest "Choreographing Exhibitions" (2013). In 2017 was hij mede-auteur van "The Anti-Museum" (FRI ART / Koenig Books). Zijn meest recente uitgave - "Gustav Metzger: Writings" (JRP | Editions, 2019) - verschijnt deze maand.

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Elk academiejaar organiseren S.M.A.K., Universiteit Gent en Curatorial Studies aan KASK-School of Arts Gent samen de prestigieuze reeks Curatorial Lectures, met gerenommeerde curatoren en met betrekking tot een specifiek thema. Na "Working with Artists" (2017-18) en "Learning from Artists" (2018-19), gaat het thema van dit jaar in op de curatoriële uitdagingen van cureren in de context van publieke en private collecties.

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