#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#107: Build a community / scene.|#91: Embrace doubt.|#6: Demand that visitors are active.|#132: Things will always look weird when you’re the first doing it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#107: Build a community / scene.|#91: Embrace doubt.|#6: Demand that visitors are active.|#132: Things will always look weird when you’re the first doing it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|
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12.09.2021 11:00

Doorlopende videorondleiding door Roger Van Bockstaele, eredeken

Pay what you can

OPEN MONUMENTENDAG 2021

VIDEORONDLEIDING DOOR ROGER VAN BOCKSTAELE, DEKENIJ PATERSHOL

Op zondag 12 september vindt de 33ste editie van Open Monumentendag plaats. Kunsthal Gent vroeg Roger Van Bockstaele, de 98-jarige Eredeken van de Koninklijke Dekenij Patershol, om zijn geheimen te delen over de meest bijzondere plekken van het karmelietenklooster.

Tevens is er een tweede recente video te zien, waarin de Eredeken vertelt over het Oud Huis, de kleine kapel met 15e- eeuwse wandschildering.

Zondag 12 september, 11.00 - 18.00
Doorlopende videorondleiding - premiere!
Camera en editing: Shivadas De Schrijver.
Een samenwerking met Koninklijke Dekenij Patershol.

NB Tijdens Open Monumentendag is alleen het Oud Huis publiek toegankelijk. De rest van Kunsthal Gent is gesloten voor de opbouw van 2 nieuwe tentoonstellingen (opening: vrijdagavond 24 september.)