#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#26: More artists, less borders.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#51: How do we invite the true unknown?|#119: Be a space of production.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#26: More artists, less borders.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#51: How do we invite the true unknown?|#119: Be a space of production.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#111: Do it together.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

12.09.2021 11:00

Doorlopende videorondleiding door Roger Van Bockstaele, eredeken

Pay what you can

OPEN MONUMENTENDAG 2021

VIDEORONDLEIDING DOOR ROGER VAN BOCKSTAELE, DEKENIJ PATERSHOL

Op zondag 12 september vindt de 33ste editie van Open Monumentendag plaats. Kunsthal Gent vroeg Roger Van Bockstaele, de 98-jarige Eredeken van de Koninklijke Dekenij Patershol, om zijn geheimen te delen over de meest bijzondere plekken van het karmelietenklooster.

Tevens is er een tweede recente video te zien, waarin de Eredeken vertelt over het Oud Huis, de kleine kapel met 15e- eeuwse wandschildering.

Zondag 12 september, 11.00 - 18.00
Doorlopende videorondleiding - premiere!
Camera en editing: Shivadas De Schrijver.
Een samenwerking met Koninklijke Dekenij Patershol.

NB Tijdens Open Monumentendag is alleen het Oud Huis publiek toegankelijk. De rest van Kunsthal Gent is gesloten voor de opbouw van 2 nieuwe tentoonstellingen (opening: vrijdagavond 24 september.)