#89: Build-in impurity within the organisation.|#61: No all male install teams.|#74: Last one out turns of the lights.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#74: Last one out turns of the lights.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#35: The artist fee should be good.|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|
