#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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17—19.02.2023 20:00

Twee nieuwe tentoonstellingen

Pay what you can

Openingsweekend: Eleni Kamma & Dieter Durinck

Op vrijdag 17 februari mogen we de deuren van Kunsthal Gent weer openen voor twee nieuwe tentoonstellingen.

ELENI KAMMA — 'CASTING CALL'

Met Eleni Kamma’s ‘Casting Call’ (2017 - ongoing) waagt Kunsthal Gent zich voor het eerst aan een tijdelijke solotentoonstelling te midden van de Endless Exhibition. ‘Casting Call’ is een onderzoek naar het begrip parrhesia: de moed om zich uit te spreken. De tentoonstelling heeft de vorm van een installatie van personages (tekeningen, video’s, kostuums en rekwisieten) die als een parade door de Endless Exhibition trekt en de bezoeker uitnodigt deel te nemen aan een zintuiglijke ervaring.

DIETER DURINCK: ‘BOOTLEG PAINTINGS’

Kunsthal Gent presenteert ‘Bootleg Paintings’, een overzichtstentoonstelling van de Gentse kunstenaar Dieter Durinck. Met een serie van meer dan 40 werken brengt Durinck een kritische hommage aan verschillende tijdperken en stromingen binnen de schilderkunst van de 20ste eeuw. Werken van bekende en minder bekende meesters werden geherinterpreteerd en overgoten met een groene kleur. Tegelijkertijd is het een persoonlijke etude naar verschillende mogelijkheden binnen de handeling van het schilderen.

Openingsuren
  • Vr 17.02.23 van 20:00 — 24:00 (Opening)
  • Za 18.02.23 van 11:00 — 18:00
  • Zo 19.02.23 van 11:00 — 18:00
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