#64: Arrange a distribution of forces.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#84: The White Cube is a lie.|#112: Spaces today don’t need to be curated, but occupied.|#137: Use the publication as programming space|#40: Follow the artist|#119: Be a space of production.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#84: The White Cube is a lie.|#112: Spaces today don’t need to be curated, but occupied.|#137: Use the publication as programming space|#40: Follow the artist|#119: Be a space of production.|#15: Kunsthal Gent aims to be an extension of public space.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#74: Last one out turns of the lights.|