#74: Last one out turns of the lights.|#40: Follow the artist|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#56: Take a lunch break.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#40: Follow the artist|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#56: Take a lunch break.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|
