#4: Pay what you can.|#74: Last one out turns of the lights.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#92: We’re a learning organisation.|#61: No all male install teams.|#124: Do less, do it better.|#26: More artists, less borders.|#4: Pay what you can.|#74: Last one out turns of the lights.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#92: We’re a learning organisation.|#61: No all male install teams.|#124: Do less, do it better.|#26: More artists, less borders.|
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11.08.2021 19:00

workshop

Prijs: € 12

Artshizzle presenteert:
Start To Buy Art

Start to buy art (Artshizzle in samenwerking met Kunst Aan Zet)

Een interactieve inleiding vol tips & tricks over het kopen van kunst.

Meer informatie via Artshizzle!

Deelname kost €12, inschrijven kan via https://www.kunstaanzet.be/evenementen

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