#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#99: Evolve according to changing needs.|#54: What about disabled artists?|#61: No all male install teams.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#99: Evolve according to changing needs.|#54: What about disabled artists?|#61: No all male install teams.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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01.05.2021 11:00

Artist talks, panels, exhibition

Pay what you can

Cairography Collective, Sarma/Oral Site & HaRaKa:
Touching publication

Touching publication. Onafhankelijke publicatie-initiatieven in de kunst en hun agenda's

"Publiceren is aanraken", zei choreografe en redacteur Lisa Nelson ooit over de noodzaak achter grass-root publicatie-initiatieven om uit te reiken naar lezers als een gemeenschapsvormende onderneming, een politiek gebaar.

Een dag lang slaan Cairography Collective, Sarma/Oral Site en HaRaKa de handen in elkaar. De drie organisaties, die al vaker samenwerkten, leggen de agenda's bloot achter verschillende recente publicatie-projecten, hun formats, bekommernissen en tastbare uitkomsten.

Volgende vragen leiden hen hierbij: hoe kunnen we inbreken in consensusvorming rond aesthetica's, hoe democratiseren we de instrumenten en middelen voor een beter toegang tot het publiceren, wat houdt het 'publieke' aspect van de publicatie in terwijl toenemende censuur en marktmechanismen het terrein almaar verder verbrokkelen, en hoe kan het 'orale' of 'orale overlevering' een rol spelen in een grotere polyfonie voorbij het dictaat van het schrift.