#37: Operate with radical transparency.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#34: We pay artists.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#37: Operate with radical transparency.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#34: We pay artists.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
