#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|
