#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#35: The artist fee should be good.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#34: We pay artists.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#35: The artist fee should be good.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#34: We pay artists.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|
