#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
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25.10.2021 20:00

Filmprogramma

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

SCHRIJF JE IN

Maandag 25 oktober, 20.00 - 22.30
Betwist land en inheemse landrechten (NL & ENG)

OFFoff screening samengesteld door Grace Ndiritu en Jubilee
Locatie: cinema

Programma:

  • Korte introductie door Grace Ndiritu en Jubilee
  • Lokale documentaire In 't Patershol (Godelieve Van Geertruyen, 1973, 11 mins), over een groep hippies in de jaren '70, wonend in de wijk Patershol waar Kunsthal Gent is gevestigd. (NL)
  • Water Warriors (Michael Premo, 2017, 22 min) over de land justice movement in Canada; het verhaal van de succesvolle strijd van een gemeenschap om hun water te beschermen tegen de olie- en aardgasindustrie. (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is een stuntcoördinator in deze arthouse fictie cultklassieker. Hij is verantwoordelijk voor de paarden in een western die opgenomen wordt in een klein Peruaans dorpje. Hij denkt dat hij het paradijs heeft gevonden, maar wordt al snel te hulp geroepen bij een bizar incident: de Peruaanse inboorlingen "filmen" hun eigen film met "camera's" gemaakt van stokken, en spelen echt western-filmgeweld na, omdat ze niet begrijpen dat films niet echt zijn. (ENG)
GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

Praktische informatie

Art Cinema OFFoff
(in Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Ticket zijn te koop aan de kassa (8 euro / 5 euro reductie)

Meer info - OFFoff Art Cinema
Volledige programma - A season of truth and reconciliation
The last movie 3
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