#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#56: Take a lunch break.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#15: Kunsthal Gent aims to be an extension of public space.|#111: Do it together.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#56: Take a lunch break.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#15: Kunsthal Gent aims to be an extension of public space.|#111: Do it together.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
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25.10.2021 20:00

Filmprogramma

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

Maandag 25 oktober, 20.00 - 22.30
Betwist land en inheemse landrechten (NL & ENG)


OFFoff screening samengesteld door Grace Ndiritu en Jubilee
Locatie: cinema

Programma:

  • Korte introductie door Grace Ndiritu en Jubilee
  • Lokale documentaire In 't Patershol (Godelieve Van Geertruyen, 1973, 11 mins), over een groep hippies in de jaren '70, wonend in de wijk Patershol waar Kunsthal Gent is gevestigd. (NL)
  • Water Warriors (Michael Premo, 2017, 22 min) over de land justice movement in Canada; het verhaal van de succesvolle strijd van een gemeenschap om hun water te beschermen tegen de olie- en aardgasindustrie. (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is een stuntcoördinator in deze arthouse fictie cultklassieker. Hij is verantwoordelijk voor de paarden in een western die opgenomen wordt in een klein Peruaans dorpje. Hij denkt dat hij het paradijs heeft gevonden, maar wordt al snel te hulp geroepen bij een bizar incident: de Peruaanse inboorlingen "filmen" hun eigen film met "camera's" gemaakt van stokken, en spelen echt western-filmgeweld na, omdat ze niet begrijpen dat films niet echt zijn. (ENG)
GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

Praktische informatie

Art Cinema OFFoff
(in Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Ticket zijn te koop aan de kassa (8 euro / 5 euro reductie)

Volledige programma - A season of truth and reconciliation
The last movie 3

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