#137: Use the publication as programming space|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#40: Follow the artist|#94: No objections? Just do it.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#137: Use the publication as programming space|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#40: Follow the artist|#94: No objections? Just do it.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|
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25.10.2021 20:00

Filmprogramma

Pay what you can

OFFoff + Grace Ndiritu:
Contested land and indigenous land rights

SCHRIJF JE IN

Maandag 25 oktober, 20.00 - 22.30
Betwist land en inheemse landrechten (NL & ENG)

OFFoff screening samengesteld door Grace Ndiritu en Jubilee
Locatie: cinema

Programma:

  • Korte introductie door Grace Ndiritu en Jubilee
  • Lokale documentaire In 't Patershol (Godelieve Van Geertruyen, 1973, 11 mins), over een groep hippies in de jaren '70, wonend in de wijk Patershol waar Kunsthal Gent is gevestigd. (NL)
  • Water Warriors (Michael Premo, 2017, 22 min) over de land justice movement in Canada; het verhaal van de succesvolle strijd van een gemeenschap om hun water te beschermen tegen de olie- en aardgasindustrie. (ENG)
  • The Last Movie (Dennis Hopper, 1971, 108 mins)
    Kansas (Hopper) is een stuntcoördinator in deze arthouse fictie cultklassieker. Hij is verantwoordelijk voor de paarden in een western die opgenomen wordt in een klein Peruaans dorpje. Hij denkt dat hij het paradijs heeft gevonden, maar wordt al snel te hulp geroepen bij een bizar incident: de Peruaanse inboorlingen "filmen" hun eigen film met "camera's" gemaakt van stokken, en spelen echt western-filmgeweld na, omdat ze niet begrijpen dat films niet echt zijn. (ENG)
GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

Praktische informatie

Art Cinema OFFoff
(in Kunsthal Gent)
Lange Steenstraat 14
B-9000 Gent

Ticket zijn te koop aan de kassa (8 euro / 5 euro reductie)

Meer info - OFFoff Art Cinema
Volledige programma - A season of truth and reconciliation
The last movie 3
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