#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|
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07—08.05.2022 11:00

Pay what you can

Kunsthal Gent & 019 present: Ghent Art Book Fair

07-08.05.2022
Zat: 11:00 — 18:00
Zon: 11:00 — 18:00

Na een pauze van twee jaar door Covid-19, kunnen 019 en Kunsthal Gent eindelijk de langverwachte 6de editie van de Ghent Art Book Fair aankondigen. Tijdens het weekend van 7 en 8 mei 2022 verwelkomen we graag een verzameling nationale en internationale uitgevers op de Ghent Art Book Fair.

De deuren van Kunsthal Gent zijn op beide dagen geopend voor bezoekers van 11u tot 18u. Er wordt een bijkomend programma opgesteld met booklaunches, presentaties, gesprekken en meer.

Hopelijk tot dan!

Met:

019 (BE)
1605 Publishers (NL)
Art Paper Editions (BE)
BOEK.PRESS (BE)
Bartle (NL)
Be-Part (BE)
Beam Editions (UK)
Bookboi* (DE)
Building Fictions (NL)
COLLECT (BE)
Claus Books (BE)
De Blinkerd (BE)
Editions L’Amazone (BE)
Editions Menard (BE)
Elise Coudré (BE)
From Me To You Publications (BE)
Grafische Cel (BE)
Handshake (ES)
Het Balanseer (BE)
Hristina Tasheva (NL)
Jap Sam Books (NL)
KASK / School Of Arts (BE)
KONT Magazine (NL)
Kluger Hans (NL)
Kunsthal Gent (BE)
Lady Gueguette (FR)
Le Chauffage (BE)
Loreta Isac (RO)
MER. B&L (BE)
Maite Vanhellemont (NL)
Masters Den Haag (NL)
New Toni Press (DE)
NICC vzw (BE)
Occasional Papers (BE)
Onomatopee Projects (NL)
Pantofle Books (NL)
Pony Press (BE)
Posture Editions (BE)
Punta Lara Ediciones (AR)
RAMSDAM BOOKS (BE)
Rile* space (BE)
Risiko Press (BE)
Roma Publications (NL)
Royal Academy Antwerp (BE)
Ruja Press (NL)
SO-RI (BE)
Stockmans Art Books – Hopper & Fuchs (BE)
Sub-Zero (FR)
The Eriskay Connection (NL)
The Serving Library (UK)
Those Who Act As Ghosts (NL)
Tim Colmant (BE)
Time has fallen asleep in the afternoon sunshine (NO)
Twougene (KR)
Valiz (NL)
Varamo Press (NO)
WS (BE)
Well Gedacht Publishing (DE)
Werkplaats Typografie (NL)
Yundler Brondino Verlag (FR)
Yunus Ak - Umut Altıntaş (TR)
_bulk (BE)
terrain (BE)

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