#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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07—08.05.2022 11:00

Pay what you can

Kunsthal Gent & 019 present: Ghent Art Book Fair

07-08.05.2022
Zat: 11:00 — 18:00
Zon: 11:00 — 18:00

Na een pauze van twee jaar door Covid-19, kunnen 019 en Kunsthal Gent eindelijk de langverwachte 6de editie van de Ghent Art Book Fair aankondigen. Tijdens het weekend van 7 en 8 mei 2022 verwelkomen we graag een verzameling nationale en internationale uitgevers op de Ghent Art Book Fair.

De deuren van Kunsthal Gent zijn op beide dagen geopend voor bezoekers van 11u tot 18u. Er wordt een bijkomend programma opgesteld met booklaunches, presentaties, gesprekken en meer.

Hopelijk tot dan!

Met:

019 (BE)
1605 Publishers (NL)
Art Paper Editions (BE)
BOEK.PRESS (BE)
Bartle (NL)
Be-Part (BE)
Beam Editions (UK)
Bookboi* (DE)
Building Fictions (NL)
COLLECT (BE)
Claus Books (BE)
De Blinkerd (BE)
Editions L’Amazone (BE)
Editions Menard (BE)
Elise Coudré (BE)
From Me To You Publications (BE)
Grafische Cel (BE)
Handshake (ES)
Het Balanseer (BE)
Hristina Tasheva (NL)
Jap Sam Books (NL)
KASK / School Of Arts (BE)
KONT Magazine (NL)
Kluger Hans (NL)
Kunsthal Gent (BE)
Lady Gueguette (FR)
Le Chauffage (BE)
Loreta Isac (RO)
MER. B&L (BE)
Maite Vanhellemont (NL)
Masters Den Haag (NL)
New Toni Press (DE)
NICC vzw (BE)
Occasional Papers (BE)
Onomatopee Projects (NL)
Pantofle Books (NL)
Pony Press (BE)
Posture Editions (BE)
Punta Lara Ediciones (AR)
RAMSDAM BOOKS (BE)
Rile* space (BE)
Risiko Press (BE)
Roma Publications (NL)
Royal Academy Antwerp (BE)
Ruja Press (NL)
SO-RI (BE)
Stockmans Art Books – Hopper & Fuchs (BE)
Sub-Zero (FR)
The Eriskay Connection (NL)
The Serving Library (UK)
Those Who Act As Ghosts (NL)
Tim Colmant (BE)
Time has fallen asleep in the afternoon sunshine (NO)
Twougene (KR)
Valiz (NL)
Varamo Press (NO)
WS (BE)
Well Gedacht Publishing (DE)
Werkplaats Typografie (NL)
Yundler Brondino Verlag (FR)
Yunus Ak - Umut Altıntaş (TR)
_bulk (BE)
terrain (BE)

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