#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

14.08.2021 15:00

Zomersalon 2021 Buy Local

Pay what you can

Monali Meher:
Old Fashioned

OLD Fashioned: kilo's aardappelen met negatieve woorden erop geschreven in verschillende talen

Performance in het kader van Zomersalon 2021: BUY LOCAL
Zondag 8 augustus, zaterdag 14 augustus, 15.00 - 18 .00
Tickets: Pay what you can, reserveren niet nodig


Door ANGER, HAT, CRIME, VIOLENCE, RACISM, WAR op kilo's aardappelen te schrijven, suggereer ik sterk dat deze woorden moeten worden GESCHILD, GEWASSEN, SCHOONGEMAAKT, GESNEDEN, GEKOOKT, waardoor deze termen als ouderwets worden bestempeld en aan vervanging toe zijn. Ik voer deze taak metaforisch uit door de aardappelen te schillen, te koken en op te eten, waarbij ik een getransformeerd landschap achterlaat dat ontdaan is van alle bovengenoemde kenmerken.

Tijdens de performance verandert de installatie/het landschap voortdurend, met overal in de ruimte geschilde aardappelschil, schoongemaakte en gekookte aardappelen in borden, kokend water, kookpannen, vocht, rook en de geur van het eten.

Ik nodig mensen uit om mee te doen met de actie, soms raakt het publiek geïnspireerd en doet spontaan mee met de performance.

GESCHILD, SCHOONGEMAAKT, GEWASSEN, GEKOOKT, GESNEDEN, GEKOOKT!


Deze dagelijkse handelingen (Rituelen) zijn nodig om die Oude Ideeën te vernietigen!

Monali Meher

*

ANGER, HATE, CRIME, VIOLENCE, RACISM, WAR!

WOEDE, HAAT, MISDAAD, GEWELD, RACISME, OORLOG

Crimen - racismo - violencia - guerra - furia - odio.

Crime - racisme - violence - guerre - fureur - haine.

Crimine - razzismo - violenza - guerra - rabbia -odio.

Verbrechen - racismus - gewald - krieg - wut -hass.

Krimen - rasismo - violensha - guera - rabia - odio

Crime - racismo - violência - guerra - raiva - ódio

Jatun - sinchi - macanacuna - piñai - chicni

Uhalifu wa sheria - nguvu - vita - hasira - chuki.

怒,仇恨,犯罪,暴力,种族主争!

Fènnù, chóuhèn, fànzuì, bàolì, zhǒngzú zhǔyì, zhànzhēng!

CAD, NACAYB, DAMBI, XADGUDUB, Cunsuriyad, Dagaal!

Monali Meher

Sinds 1998 omvat Meher's kunstpraktijk verschillende disciplines. De belangrijkste daarvan is performancekunst. Verval, hybridisatie & transformatie: het creëren van een nieuwe identiteit; het opnieuw vormgeven van bezittingen; intimiteit; een dialoog van materie en geheugen vormen de taal van haar werk. "Tijd" als factor, of het nu gaat om een ingepakt object of een performance. De aspecten van continuïteit, herhaling, kwetsbaarheid, tijdelijkheid, site-specificiteit en publieke betrokkenheid zijn ook inherente kwaliteiten. Monali Meher behaalde haar BFA aan de J.J. school of Arts, Mumbai India en studeerde aan de Rijksakademie van beeldende kunsten, Amsterdam.

Recente tentoonstellingen:
Solo: 'Falling Star', CJK, Mariakerke, Gent, '19/ 'Roots and Threads, Boarders and Pieces', Lumen Travo, Amsterdam, '17.
Performances: 'My Foot', Art Ghent, SMAK Gent, '21/ Love Letters, Live Streaming, Stichting Logos, Gent, '21/ 'Old Fashioned', (Living Forgiving Remembering), De Kerk, Museum Arnhem, '20/Visiting Sutton Pool, Walking's New Movements, University of Plymouth, UK, '19.
Groepstentoonstellingen: ZOMERSALON '20, KunsthalGent/ Living, Forgiving, Remembering, Kunsthall 3,14, Bergen, Noorwegen '21

394 oldfashioned MEHER

GERELATEERDE TENTOONSTELLINGEN