#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#107: Build a community / scene.|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#107: Build a community / scene.|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|
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14.08.2021 15:00

Zomersalon 2021 Buy Local

Pay what you can

Monali Meher:
Old Fashioned

OLD Fashioned: kilo's aardappelen met negatieve woorden erop geschreven in verschillende talen

Performance in het kader van Zomersalon 2021: BUY LOCAL
Zondag 8 augustus, zaterdag 14 augustus, 15.00 - 18 .00
Tickets: Pay what you can, reserveren niet nodig


Door ANGER, HAT, CRIME, VIOLENCE, RACISM, WAR op kilo's aardappelen te schrijven, suggereer ik sterk dat deze woorden moeten worden GESCHILD, GEWASSEN, SCHOONGEMAAKT, GESNEDEN, GEKOOKT, waardoor deze termen als ouderwets worden bestempeld en aan vervanging toe zijn. Ik voer deze taak metaforisch uit door de aardappelen te schillen, te koken en op te eten, waarbij ik een getransformeerd landschap achterlaat dat ontdaan is van alle bovengenoemde kenmerken.

Tijdens de performance verandert de installatie/het landschap voortdurend, met overal in de ruimte geschilde aardappelschil, schoongemaakte en gekookte aardappelen in borden, kokend water, kookpannen, vocht, rook en de geur van het eten.

Ik nodig mensen uit om mee te doen met de actie, soms raakt het publiek geïnspireerd en doet spontaan mee met de performance.

GESCHILD, SCHOONGEMAAKT, GEWASSEN, GEKOOKT, GESNEDEN, GEKOOKT!


Deze dagelijkse handelingen (Rituelen) zijn nodig om die Oude Ideeën te vernietigen!

Monali Meher

*

ANGER, HATE, CRIME, VIOLENCE, RACISM, WAR!

WOEDE, HAAT, MISDAAD, GEWELD, RACISME, OORLOG

Crimen - racismo - violencia - guerra - furia - odio.

Crime - racisme - violence - guerre - fureur - haine.

Crimine - razzismo - violenza - guerra - rabbia -odio.

Verbrechen - racismus - gewald - krieg - wut -hass.

Krimen - rasismo - violensha - guera - rabia - odio

Crime - racismo - violência - guerra - raiva - ódio

Jatun - sinchi - macanacuna - piñai - chicni

Uhalifu wa sheria - nguvu - vita - hasira - chuki.

怒,仇恨,犯罪,暴力,种族主争!

Fènnù, chóuhèn, fànzuì, bàolì, zhǒngzú zhǔyì, zhànzhēng!

CAD, NACAYB, DAMBI, XADGUDUB, Cunsuriyad, Dagaal!

Monali Meher

Sinds 1998 omvat Meher's kunstpraktijk verschillende disciplines. De belangrijkste daarvan is performancekunst. Verval, hybridisatie & transformatie: het creëren van een nieuwe identiteit; het opnieuw vormgeven van bezittingen; intimiteit; een dialoog van materie en geheugen vormen de taal van haar werk. "Tijd" als factor, of het nu gaat om een ingepakt object of een performance. De aspecten van continuïteit, herhaling, kwetsbaarheid, tijdelijkheid, site-specificiteit en publieke betrokkenheid zijn ook inherente kwaliteiten. Monali Meher behaalde haar BFA aan de J.J. school of Arts, Mumbai India en studeerde aan de Rijksakademie van beeldende kunsten, Amsterdam.

Recente tentoonstellingen:
Solo: 'Falling Star', CJK, Mariakerke, Gent, '19/ 'Roots and Threads, Boarders and Pieces', Lumen Travo, Amsterdam, '17.
Performances: 'My Foot', Art Ghent, SMAK Gent, '21/ Love Letters, Live Streaming, Stichting Logos, Gent, '21/ 'Old Fashioned', (Living Forgiving Remembering), De Kerk, Museum Arnhem, '20/Visiting Sutton Pool, Walking's New Movements, University of Plymouth, UK, '19.
Groepstentoonstellingen: ZOMERSALON '20, KunsthalGent/ Living, Forgiving, Remembering, Kunsthall 3,14, Bergen, Noorwegen '21

394 oldfashioned MEHER

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