#35: The artist fee should be good.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#56: Take a lunch break.|#37: Operate with radical transparency.|#61: No all male install teams.|#4: Pay what you can.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#56: Take a lunch break.|#37: Operate with radical transparency.|#61: No all male install teams.|#4: Pay what you can.|
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14.08.2021 15:00

Zomersalon 2021 Buy Local

Pay what you can

Monali Meher:
Old Fashioned

OLD Fashioned: kilo's aardappelen met negatieve woorden erop geschreven in verschillende talen

Performance in het kader van Zomersalon 2021: BUY LOCAL
Zondag 8 augustus, zaterdag 14 augustus, 15.00 - 18 .00
Tickets: Pay what you can, reserveren niet nodig


Door ANGER, HAT, CRIME, VIOLENCE, RACISM, WAR op kilo's aardappelen te schrijven, suggereer ik sterk dat deze woorden moeten worden GESCHILD, GEWASSEN, SCHOONGEMAAKT, GESNEDEN, GEKOOKT, waardoor deze termen als ouderwets worden bestempeld en aan vervanging toe zijn. Ik voer deze taak metaforisch uit door de aardappelen te schillen, te koken en op te eten, waarbij ik een getransformeerd landschap achterlaat dat ontdaan is van alle bovengenoemde kenmerken.

Tijdens de performance verandert de installatie/het landschap voortdurend, met overal in de ruimte geschilde aardappelschil, schoongemaakte en gekookte aardappelen in borden, kokend water, kookpannen, vocht, rook en de geur van het eten.

Ik nodig mensen uit om mee te doen met de actie, soms raakt het publiek geïnspireerd en doet spontaan mee met de performance.

GESCHILD, SCHOONGEMAAKT, GEWASSEN, GEKOOKT, GESNEDEN, GEKOOKT!


Deze dagelijkse handelingen (Rituelen) zijn nodig om die Oude Ideeën te vernietigen!

Monali Meher

*

ANGER, HATE, CRIME, VIOLENCE, RACISM, WAR!

WOEDE, HAAT, MISDAAD, GEWELD, RACISME, OORLOG

Crimen - racismo - violencia - guerra - furia - odio.

Crime - racisme - violence - guerre - fureur - haine.

Crimine - razzismo - violenza - guerra - rabbia -odio.

Verbrechen - racismus - gewald - krieg - wut -hass.

Krimen - rasismo - violensha - guera - rabia - odio

Crime - racismo - violência - guerra - raiva - ódio

Jatun - sinchi - macanacuna - piñai - chicni

Uhalifu wa sheria - nguvu - vita - hasira - chuki.

怒,仇恨,犯罪,暴力,种族主争!

Fènnù, chóuhèn, fànzuì, bàolì, zhǒngzú zhǔyì, zhànzhēng!

CAD, NACAYB, DAMBI, XADGUDUB, Cunsuriyad, Dagaal!

Monali Meher

Sinds 1998 omvat Meher's kunstpraktijk verschillende disciplines. De belangrijkste daarvan is performancekunst. Verval, hybridisatie & transformatie: het creëren van een nieuwe identiteit; het opnieuw vormgeven van bezittingen; intimiteit; een dialoog van materie en geheugen vormen de taal van haar werk. "Tijd" als factor, of het nu gaat om een ingepakt object of een performance. De aspecten van continuïteit, herhaling, kwetsbaarheid, tijdelijkheid, site-specificiteit en publieke betrokkenheid zijn ook inherente kwaliteiten. Monali Meher behaalde haar BFA aan de J.J. school of Arts, Mumbai India en studeerde aan de Rijksakademie van beeldende kunsten, Amsterdam.

Recente tentoonstellingen:
Solo: 'Falling Star', CJK, Mariakerke, Gent, '19/ 'Roots and Threads, Boarders and Pieces', Lumen Travo, Amsterdam, '17.
Performances: 'My Foot', Art Ghent, SMAK Gent, '21/ Love Letters, Live Streaming, Stichting Logos, Gent, '21/ 'Old Fashioned', (Living Forgiving Remembering), De Kerk, Museum Arnhem, '20/Visiting Sutton Pool, Walking's New Movements, University of Plymouth, UK, '19.
Groepstentoonstellingen: ZOMERSALON '20, KunsthalGent/ Living, Forgiving, Remembering, Kunsthall 3,14, Bergen, Noorwegen '21

394 oldfashioned MEHER

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