#28: Make Contracts.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#34: We pay artists.|#111: Do it together.|#124: Do less, do it better.|#4: Pay what you can.|#28: Make Contracts.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#34: We pay artists.|#111: Do it together.|#124: Do less, do it better.|#4: Pay what you can.|
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26.01.2023 18:00

Workshop

Pay what you can

Univers’elle presenteert: Urban Safe Space met Leto Keunen

Bar Univers’elle nodigt kunstenaar Leto Keunen uit voor de workshop Urban Safe Space, waarin ze via textiel het gevoel van onveiligheid en angst in de openbare ruimte bespreekbaar maakt. De workshop maakt deel uit van haar project ‘Urban Quilts’. Tijdens de workshop maken we een subjectieve mapping van de openbare ruimte: we visualiseren pijnpunten, frustraties, onveiligheidsgevoelens of belevingen in de stad. We praten over onze angsten en over de momenten waarop deze angst voorkomt. Iedereen is welkom! Of je een ervaring wil delen of niet blijft steeds een eigen keuze.

Bar Univers’elle
Univers'elle, een netwerk van Gentse vrouwen met een focus op diversiteit, organiseert maandelijks Bar Univers'elle. Sinds 2021 strijken ze regelmatig neer in Syllabus, een kunstwerk van Jesse Jones: een monumentaal gordijn in Kunsthal Gent dat (activistische) groepen verwelkomt.

Praktisch
American girl in italy 1951