#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#92: We’re a learning organisation.|#36: We support production separately.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#92: We’re a learning organisation.|#36: We support production separately.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|
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26.01.2023 18:00

Workshop

Pay what you can

Univers’elle presenteert: Urban Safe Space met Leto Keunen

Bar Univers’elle nodigt kunstenaar Leto Keunen uit voor de workshop Urban Safe Space, waarin ze via textiel het gevoel van onveiligheid en angst in de openbare ruimte bespreekbaar maakt. De workshop maakt deel uit van haar project ‘Urban Quilts’. Tijdens de workshop maken we een subjectieve mapping van de openbare ruimte: we visualiseren pijnpunten, frustraties, onveiligheidsgevoelens of belevingen in de stad. We praten over onze angsten en over de momenten waarop deze angst voorkomt. Iedereen is welkom! Of je een ervaring wil delen of niet blijft steeds een eigen keuze.

Bar Univers’elle
Univers'elle, een netwerk van Gentse vrouwen met een focus op diversiteit, organiseert maandelijks Bar Univers'elle. Sinds 2021 strijken ze regelmatig neer in Syllabus, een kunstwerk van Jesse Jones: een monumentaal gordijn in Kunsthal Gent dat (activistische) groepen verwelkomt.

Praktisch
American girl in italy 1951