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Agenda: Binnenkort ?

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woensdag 16.10.24

Primary Talks: Pei-Hsuan Wang

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MDC KHG Pei Hsuan Wang 007 LR 2022 10 05 124042 xbhi v1691238017

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vrijdag 18.10.24

Vrijdagavonden:

Art Cinema OFFoff: Maximilien Luc Proctor & Two Nice Catholic Boys

→ Democrazy
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→ 20:00

zaterdag 19.10.24

Democrazy:

Eefje De Visser — Unplugged

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→ concert
→ 20:00

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→ 13:00

woensdag 23.10.24

Primary Talks: Sharon Van Overmeiren

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Sharon van Overmeiren Installation view at Miart Milan in 2019 1024x683

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vrijdag 25.10.24

Vrijdagavonden:

manoeuvre deelt SUIKER

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maandag 28.10.24

Art Cinema OFFoff:

Benjamin Deboosere: Robinson Crusoe Is a Dick

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donderdag 31.10.24

Art Cinema OFFoff:

Avant-première Hexham Heads + Concert

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01 — 02.11.24

Vrijdagavonden:

Midnight Marsh: Night Walks in Ghent’s Marshes

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→ 18:30

donderdag 07.11.24

Tumult.fm:

Tumultingent 1+1: tussen kunst en kus

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→ 18:30

→ 20:00

vrijdag 08.11.24

Vrijdagavonden:

3 Publications: Kunstenplatform Plan B, Seasonal Neighbours & Kathrin Böhm

→ Drink, Rondleiding
→ 17:30

vrijdag 15.11.24

Voor Bondgenoten:

Diner & rondleiding met Ailbhe Ní Briain

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→ 17:30

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→ 20:00

vrijdag 15.11.24

Vrijdagavonden:

Ailbhe Ní Bhriain: An Experiment With Time

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→ 20:00

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vrijdag 22.11.24

Vrijdagavonden:

Mark Požlep: Everything Under (with a film by Jonas Mekas)

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vrijdag 29.11.24

Vrijdagavonden:

Eye On Palestine

→ 20:00

vrijdag 06.12.24

Vrijdagavonden:

Koba De Meutter: 2018 — 2023

Volledig archief

Agenda: Archief

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vrijdag 11.10.24

Vrijdagavonden:

Clara Spilliaert: Night Before Morning After

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→ 20:00

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zondag 06.10.24

Art Cinema OFFoff:

OFFoff Open Cinema

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Sluiten

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maandag 18.03.24

Art Cinema OFFoff:

VAF Wildcards Filmlab: KASK meets LUCA

Every year, the Flemish Audiovisual Fund (VAF) awards Wildcards to graduating filmmakers. Fourteen films were submitted in the Filmlab category which represents more experimental work. The jury – this year consisting of Ruben Demasure, Sofie Verdoodt and Lázara Rosell Albear – awarded the prize to Le tarantole dormono sotto le pietre by Giada Cicchetti, but at the same time noted that, overall, this new crop of filmmakers is coming up with strong and significant work.

Entrance: €8 / €5 Student / Member or 5x Card

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Entrance: €8 / €5 Student / Member or 5x Card

Art Cinema OFFoff presents a personal selection of Filmlab graduation films from KASK School of Arts Ghent and LUCA School of Arts Brussels. Meet a new generation embracing experimentation.

In the presence of all of the filmmakers: Loes Vanneste (KASK), Sirine Jendoubi (LUCA), Arnaud Casier (LUCA) and Max Ferguson (LUCA). Giada Cicchetti (KASK) will join us online from Italy.

Programma

Loes Vanneste

‘Between Places’ — BE • 2023 • 9’ • colour • digital
Sirine Jendoubi

‘To my future child,’ — BE • 2023 • 18’ • colour • digital • NL • en sub
Giada Cicchetti

‘Le tarantole dormono sotto le pietre’ — BE • 2023 • 27’ • b&w • digital • IT • en sub
Arnaud Casier

‘La Mer’ — BE • 2023 • 7’ • colour • digital
Max Ferguson

‘You Are the Truck and I Am the Deer’ — BE • 2023 • 5’ • colour • digital • EN

Loes Vanneste: Between Places

Somewhere in the depths of space, the thoughts and memories of what once was are flying around. Here lies the palace of dust, inhabited by a transparent beast that rearranges, shifts and consumes all particles of dust. “Where am I?” echoes through the open space. In a feverish dream the beast takes a sleeping woman through the spaces of the palace and makes her look ‘through the glass, darkly’ or through the dust, darkly.

“We always used to call it dirt, blind to this whole universe. Only now do we realize how privileged dust mites actually are. They live in palaces of amazing beauty and it has never once crossed their minds to vanish into a cloud of dust.” – Josef Haslinger & Klaus Pichler (Dust, 2015)

Between Places Still4 — © Between Places

Sirine Jendoubi: To my future child,

Do I describe the world only as something light and safe?
Or are we going to try to –
Again.
Or are we going to –
Again.
Do I describe the world as something light?
Do I describe the world as something safe?
Or am I going to try to be more honest?
Do we dare to be honest?
And where do we start?

To my future child,

Giada Cicchetti: Le tarantole dormono sotto le pietre

Tarantulas Sleep Under the Stones is inspired by a ritual that originated in the Middle Ages in South Italy: Tarantismo. It was a traditional magical-religious practice with the purpose of healing people, especially women, affected by convulsive movements attributed to the bite of the spider tarantula. I started by filming my mother, weaving an intergenerational dialogue about motherhood, daughterhood and womanhood. In parallel, I went to South Italy to search for the traces of this ancient ritual and its evolution in present times.

Le tarantole dormono sotto le pietre 01 — © Le tarantole dormono sotto le pietre

Arnaud Casier: La Mer

Through flickering candlelight, La Mer weaves a tapestry of memories, blurring the lines between past and present. In an ethereal realm of family dynamics, emotions dance and intertwine, mirroring the ephemeral nature of time itself. As candles dwindle, so do our recollections, leaving behind a poignant reminder of life’s fleeting moments.

Max Ferguson: You Are the Truck and I Am the Deer

Birthed from a personal experience and a poetic text written by the artist, the film dives into the feelings of loss, helplessness and overwhelm during the process of accepting the hurt inflicted by others. These emotional wounds are translated visually into a physical and pulsing presence that represent a dark and unsettling image of femininity.