#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#61: No all male install teams.|#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#56: Take a lunch break.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#61: No all male install teams.|#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#56: Take a lunch break.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|
