#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#30: Don’t work with artists who are assholes.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|#44: No name tags at dinner.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#30: Don’t work with artists who are assholes.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|#44: No name tags at dinner.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
