#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#2: Bring something new to the city of Ghent.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#137: Use the publication as programming space|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#2: Bring something new to the city of Ghent.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#137: Use the publication as programming space|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
