#82: Clean and sterile looks professional, but really boring.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#107: Build a community / scene.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#107: Build a community / scene.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#61: No all male install teams.|
