#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#35: The artist fee should be good.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#74: Last one out turns of the lights.|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#35: The artist fee should be good.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#74: Last one out turns of the lights.|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#62: Be kind. Full dishwasher: empty it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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Elke Van Kerckvoorde

Elke Van Kerckvoorde (Gent 1992) studeerde aan Luca School of Arts te Gent (Master Beeldende Kunst 2014).

Binnen het ontwikkelingsprogramma van Kunsthal Gent werkt ze aan een project op de grens van beeldende kunst, grafisch ontwerp en ambacht, in samenwerking met glas in lood-atelier Mestdagh en met verschillende kunstenaars en ontwerpers. Albert Mestdagh, oprichter van het glasatelier, leerde het vak in het Patershol, om de hoek van het voormalige klooster waar Kunsthal Gent gevestigd is. In 1947 startte hij zijn eigen atelier, dat verschillende generaties verder sinds kort gevestigd is in Merelbeke onder leiding van kleindochter Katrien Mestdagh.

Van Kerckvoorde, aanvankelijk schilder, gebruikt in haar werk uiteenlopende grafische technieken. Ze duwt het grafische ambacht steeds verder weg van haar oorspronkelijke definitie en maakt zo de grens tussen beeldende kunst en ambacht diffuus.

Werkperiode ontwikkelingsprogramma: oktober t/m december 2019
Q&A met Elke van Kerckvoorde: vrijdag 25 oktober, 20:00

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