#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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