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Agenda: Soon ?

→ Reflection
→ 14:00

Wednesday 15.01.25

Openbare Werken 2025:

Openbare Werken: Think Tank Art in Public Space

→ Reflection
→ 14:00

→ Reading Group
→ 17:30

Thursday 23.01.25

Syllabus Reading Group #24: A New Contract for Syllabus — with Jesse Jones

→ Reading Group
→ 17:30

→ Art Cinema OFFoff
→ Workshop
→ 13:30

Saturday 25.01.25

Art Cinema OFFoff:

Workshop 3D-printen

→ Art Cinema OFFoff
→ Workshop
→ 13:30

→ Documentary
→ 20:00

Thursday 30.01.25

Openbare Werken 2025:

Mark Požlep: Everything Under — LEVIATHAN (film)

→ Documentary
→ 20:00

→ 20:00

Friday 07.02.25

Openingsweekend: 3 nieuwe tentoonstellingen

→ Documentary
→ 20:00

Wednesday 19.03.25

Openbare Werken 2025:

Mark Požlep: Everything Under

→ Documentary
→ 20:00

Full Archive

Agenda: Archive

→ Film
→ 18:30

Tuesday 17.12.24

Eye On Palestine:

Nida: Lunar Films

→ Film
→ 18:30

→ Art Cinema OFFoff
→ Film
→ 20:00

Monday 16.12.24

Art Cinema OFFoff:

Flicker Film

→ Art Cinema OFFoff
→ Film
→ 20:00

Johan van der Keuken — De Palestijnen

In 1975, on the eve of the Lebanese civil war, Johan van der Keuken travelled to southern Lebanon on behalf of the Netherlands Palestine Committee. He filmed the rural population between two fires: the Israeli artillery and the local feudal rulers. Van der Keuken shows the Palestinians’ struggle as a class struggle. He sees parallels between the class divisions in Europe that gave Nazism and anti-Semitism a chance and those in the Arab world that make Palestinians, as newly dispossessed, an explosive situation. The Palestinian struggle, aimed at returning to their land, was seen by Van der Keuken in 1975 in the perspective of a democratic Palestine, where Jews and Palestinians could live and work together. The movie is at once personal and scientific: interviewing Palestinian refugees in Southern Lebanon who recount in their own words their experiences as refugees and resistance fighters, while also explaining the historical development of zionism and the Palestinian resistance through an analysis capitalism and imperialism.

Basma Alsharif — O, Persecuted

O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian militant film, Our Small Houses, into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.

Basma Alsharif — Deep Sleep

Temporarily restricted from travel to the Gaza Strip because of border conflict, I undertook the study and practice of autohypnosis with the purpose of bi-locating into multiple places at once. Paired with field recordings rendered into a binaural beat soundtrack, Deep Sleep is made up of a year’s worth of bi-location sessions recorded onto Super8mm film. The result is a movement through the ruins of ancient civilizations as embedded in modern civilization-in-ruins. Deep Sleep draws from the historical avant-garde cinema to produce an invitation to move through landscapes and transcend geographical borders in a collective act that discards memory in exchange for a visceral present.

Agenda: Soon ?

Openbare Werken 2025:

Openbare Werken: Think Tank Art in Public Space

Syllabus Reading Group #24: A New Contract for Syllabus — with Jesse Jones

Art Cinema OFFoff:

Workshop 3D-printen

Openbare Werken 2025:

Mark Požlep: Everything Under — LEVIATHAN (film)

Openingsweekend: 3 nieuwe tentoonstellingen

Openbare Werken 2025:

Mark Požlep: Everything Under

Agenda: Archive

Eye On Palestine:

Nida: Lunar Films

Art Cinema OFFoff:

Flicker Film

Art Cinema OFFoff:

Eye on Palestine: Basma Alsharif (guest) + The Palestinians

Gerelateerde Activiteiten

Art Cinema OFFoff:

Clara Spilliaert – Extreme Private Eros: Love Song

Museumnacht:

Eye On Palestine

Friday Evenings:

Eye On Palestine