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Agenda: Soon ?

→ Curatorial Studies
→ performance
→ 16:00

Sunday 29.06.25

Curatorial Studies:

Astrid Specht Seeberg — ClayPlay

→ Curatorial Studies
→ performance
→ 16:00

→ Exhibition
→ 20:00

04 — 06.07.25

Zomersalon | Buy Local:

Opening weekend

→ Exhibition
→ 20:00

→ 11:00

05.07 — 31.08.25

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Ieder weekend: Klankzoekers | Schatten van Vlieg (6 – 12j)

→ 13:00

05.07 — 30.08.25

Zomersalon | Buy Local:

Every Saturday: Artist Talks on the Spot

→ Guided tour
→ 13:00

06.07 — 31.08.25

Zomersalon | Buy Local:

Every Sunday: guided tour

→ Guided tour
→ 13:00

→ 19:00

Tuesday 08.07.25

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GKO Café: uitdagingen & kansen voor beeldende kunsten in Gent

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→ 17:00

Thursday 17.07.25

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Artshizzle: over kunst (ver)kopen

→ 11:00

18 — 27.07.25

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Gentse Feesten: (Endless) Exhibition — open everyday!

→ 15:00

21 — 24.07.25

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Hannah Hoebeke: Klei mee Kaffee

→ 15:00

Friday 25.07.25

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Blind Date: for allies & artists

→ Workshop
→ 19:00

Thursday 31.07.25

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Kunst in Huis: workshop selling & buying art

→ Workshop
→ 19:00

→ Exhibition
→ 11:00

15 — 17.08.25

Zomersalon | Buy Local:

Patersholfeesten: (Endless) Exhibition — open everyday!

→ Exhibition
→ 11:00

→ Workshop
→ 13:00

Friday 15.08.25

Patersholfeesten:

Kinderworkshop — maak je eigen mok

→ Workshop
→ 13:00

→ performance
→ 11:00

Saturday 16.08.25

Patersholfeesten:

Micha Goldberg & Rosie Sommers — Drama

→ performance
→ 11:00

→ 08:00

Sunday 17.08.25

Patersholfeesten:

Nástio Mosquito — Rommelmarkt

→ 11:00

30 — 31.08.25

Zomersalon | Buy Local:

Closing weekend

Full Archive

Agenda: Archive

→ Curatorial Studies
→ performance
→ 16:00

Sunday 29.06.25

Curatorial Studies:

Astrid Specht Seeberg — ClayPlay

→ Curatorial Studies
→ performance
→ 16:00

→ 16:00

Wednesday 18.06.25

Zomersalon | Buy Local:

Over kunstenaarschap, statuten en professionele erkenning

25 05 12 KH OPENBARE WERKEN BREAKING BREAD WEB 34

Sluiten

→ Art Cinema OFFoff
→ Film
→ 20:00

Monday 09.12.24

Art Cinema OFFoff:

Eye on Palestine: Basma Alsharif (guest) + The Palestinians

In the context of Eye on Palestine, this film program and discussion takes as a point of departure Reem Shilleh and Gawan Fagard’s recent article,“Searching for the Palestinian Militant Image in Times of Existential Emergency: How can the moving image be in solidarity with political resistance?” With films by Johan Van Der Keuken and Basma Alsharif.

Doors: 20:00

→ Art Cinema OFFoff
→ Film
→ 20:00

Doors: 20:00

In the presence of Basma Alsharif, an artist and filmmaker of Palestinian origin, born in Kuwait, and raised between France, the US and the Gaza Strip. Followed by a discussion between Basma Alsharif, Reem Shilleh and Gawan Fagard. Thank you to EYE Film Museum Amsterdam for the English subtitled 16mm copy of Johan Van der Keuken’s De Palestijnen (The Palestinians, 1975)

Johan van der Keuken — De Palestijnen

In 1975, on the eve of the Lebanese civil war, Johan van der Keuken travelled to southern Lebanon on behalf of the Netherlands Palestine Committee. He filmed the rural population between two fires: the Israeli artillery and the local feudal rulers. Van der Keuken shows the Palestinians’ struggle as a class struggle. He sees parallels between the class divisions in Europe that gave Nazism and anti-Semitism a chance and those in the Arab world that make Palestinians, as newly dispossessed, an explosive situation. The Palestinian struggle, aimed at returning to their land, was seen by Van der Keuken in 1975 in the perspective of a democratic Palestine, where Jews and Palestinians could live and work together. The movie is at once personal and scientific: interviewing Palestinian refugees in Southern Lebanon who recount in their own words their experiences as refugees and resistance fighters, while also explaining the historical development of zionism and the Palestinian resistance through an analysis capitalism and imperialism.

Basma Alsharif — O, Persecuted

O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian militant film, Our Small Houses, into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.

Basma Alsharif — Deep Sleep

Temporarily restricted from travel to the Gaza Strip because of border conflict, I undertook the study and practice of autohypnosis with the purpose of bi-locating into multiple places at once. Paired with field recordings rendered into a binaural beat soundtrack, Deep Sleep is made up of a year’s worth of bi-location sessions recorded onto Super8mm film. The result is a movement through the ruins of ancient civilizations as embedded in modern civilization-in-ruins. Deep Sleep draws from the historical avant-garde cinema to produce an invitation to move through landscapes and transcend geographical borders in a collective act that discards memory in exchange for a visceral present.