#34: We pay artists.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#26: More artists, less borders.|#119: Be a space of production.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#61: No all male install teams.|#21: Live with the exhibition, spend time with it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#26: More artists, less borders.|#119: Be a space of production.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#61: No all male install teams.|#21: Live with the exhibition, spend time with it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|
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Opening: 18.03.2022 – 20:00

18.03—08.05.2022

Exhibition

Luke Routledge:
Nature Dream Machine

Nature Dream Machine brings together sculptures from a number of Luke Routledge’s recent exhibitions, stitched together alongside new works to present the next chapter of what he calls his living, collage territory. Through this constructed world framework, Routledge’s practice explores the fabric of a fictional multiverse and the fantastical beings that inhabit it.

The title Nature Dream Machine is used to describe the autonomous conceptual device that is now central to Routledge’s artistic practice. The word Nature reflects upon the growth of this ever evolving speculative habitat and the presentation of its territories. Dream Machine is appropriated from the name given to the device created by Beat Generation artists Brion Gysin and William S. Burroughs, which generates hallucinogenic visual stimuli to those that encounter it. Brought together the words Nature Dream Machine give a name to the filter of Routledge’s working process.

Through the assembling of this otherverse and its multicolored inhabitants, Routledge presents an untethered reality. A realm of dismantled and reassembled bodies; a place of nonsensical narrative fragmentation, seen through a lens of kaleidoscopic allegory.

Luke Routledge (b.1988) studied BA Fine Art at Loughborough University UK. He works across a range of media including sculpture, painting, animatronics and animation. These various media are employed to detail a fictional landscape and its inhabitants in an ever expanding world building project.

Luke Routledge:
Nature Dream Machine

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EXHIBITION VIEWS
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