#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#54: What about disabled artists?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#94: No objections? Just do it.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#54: What about disabled artists?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#94: No objections? Just do it.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|