#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#92: We’re a learning organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#92: We’re a learning organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|
