#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#44: No name tags at dinner.|