#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#44: No name tags at dinner.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

Opening: 18.03.2022 – 20:00

18.03—08.05.2022

Tentoonstelling

Luke Routledge:
Nature Dream Machine

Nature Dream Machine brengt sculpturen samen uit een aantal recente tentoonstellingen van Luke Routledge, samengevoegd met nieuwe werken om het volgende hoofdstuk te presenteren van wat hij zijn levende, door collage gevormde territorium noemt. Door middel van deze geconstrueerde wereld verkent de praktijk van Routledge het weefsel van een fictief multiversum en de fantastische wezens die erin leven.

De titel Nature Dream Machine wordt gebruikt om het autonome conceptuele systeem te beschrijven dat nu centraal staat in Routledge's artistieke praktijk. Het woord Nature reflecteert op de groei van deze zich steeds ontwikkelende speculatieve habitat en de presentatie van haar territoria. Dream Machine is ontleend aan de naam van het apparaat van de Beat Generation-kunstenaars Brion Gysin en William S. Burroughs, dat hallucinogene visuele stimuli genereert bij wie ermee in aanraking komt. Samen geven de woorden Nature Dream Machine een naam aan de filter van het werkproces van Routledge.

Door de assemblage van dit alternatieve universum en zijn veelkleurige bewoners, presenteert Routledge een ongebonden werkelijkheid. Een wereld van ontmantelde en weer in elkaar gezette lichamen; een plaats van onzinnige narratieve fragmentatie, gezien door een lens van caleidoscopische allegorie.


Luke Routledge (°1988) studeerde BA Fine Art aan de Loughborough University UK. Hij werkt met verschillende media, waaronder sculptuur, schilderkunst, animatronica en animatie. Deze verschillende media worden gebruikt om een fictief landschap en zijn bewoners in detail weer te geven in een steeds uitbreidend wereld-bouwproject.

Luke Routledge:
Nature Dream Machine

Screen Shot 2022 03 25 at 15 05 26

TENTOONSTELLINGSZICHTEN
MDC KH Luke Routledge 020 LR
MDC KH Luke Routledge 021 LR
MDC KH Luke Routledge 022 LR
MDC KH Luke Routledge 023 LR
MDC KH Luke Routledge 024 LR
MDC KH Luke Routledge 025 LR
MDC KH Luke Routledge 026 LR
MDC KH Luke Routledge 001 LR
MDC KH Luke Routledge 002 LR
MDC KH Luke Routledge 003 LR
MDC KH Luke Routledge 004 LR
MDC KH Luke Routledge 005 LR
MDC KH Luke Routledge 006 LR
MDC KH Luke Routledge 007 LR
MDC KH Luke Routledge 009 LR
MDC KH Luke Routledge 010 LR
MDC KH Luke Routledge 011 LR
MDC KH Luke Routledge 012 LR
MDC KH Luke Routledge 013 LR
MDC KH Luke Routledge 014 LR
MDC KH Luke Routledge 015 LR
MDC KH Luke Routledge 016 LR
MDC KH Luke Routledge 017 LR
MDC KH Luke Routledge 018 LR
MDC KH Luke Routledge 019 LR