#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|
