#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#36: We support production separately.|#137: Use the publication as programming space|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#36: We support production separately.|#137: Use the publication as programming space|#124: Do less, do it better.|#64: Arrange a distribution of forces.|
