#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#34: We pay artists.|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#6: Demand that visitors are active.|#54: What about disabled artists?|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#34: We pay artists.|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#6: Demand that visitors are active.|#54: What about disabled artists?|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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Opening: 01.07.2022 – 16:38

30.04—31.07.2020

Exhibition

Four Flags

Four Flags is a project that aims to support artists during the lockdown and promote art in the public space. During a period of virtual art experience, the Four Flags project presents visual art in a series of flags with works by artists, on view in different places in Belgium and the Netherlands. 30 artists were invited by the initiators to design a flag. The first five flags were by Evelyn Taocheng Wang, Ola Vasiljeva, Das Institut (Kerstin Brätsch & Adele Röder), Kasper Bosmans and Juliette Blightman.

In Belgium, the flags are on view at Kunsthal Ghent; Netwerk Aalst; Be-Part, Waregem; AAIR, Antwerp; CIAP, Genk; KIOSK, Ghent; La Loge, Brussels and CC Strombeek, Grimbergen.

Since the end of April and until the end of July, new flags appear every week on the façade of Kunsthal Gent. The flags are also for sale as an edition (€150) of which the full proceeds will go to the artist.

Four Flags Belgium is an initiative of collector Siska Bulkens and curator Louis-Philippe Van Eeckhoutte. Follow the project on instagram @fourflags2020

Four Flags

MDC KH 4 FL 2 002 HR

EXHIBITION VIEWS
MDC KK vlag 20200501 LR
MDC KH 4 FL 2 001 LR
MDC KH 4 FL 2 003 LR