#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|
