#54: What about disabled artists?|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#62: Don’t be a dick. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#107: Build a community / scene.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#62: Don’t be a dick. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#107: Build a community / scene.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

Opening: 16.01.2021 – 18:32

30.04—31.07.2020

Tentoonstelling

Four Flags

Four Flags is een project dat tijdens de lockdown kunstenaars wil ondersteunen en kunst in de publieke ruimte onder de aandacht brengt. Tijdens een periode van virtuele kunstbeleving brengt het project Four Flags fysiek kunst naar buiten in een reeks vlaggen met werken van kunstenaars, te zien op verschillende plekken in België en Nederland. 30 kunstenaars werden door de initiatiefnemers uitgenodigd om een vlag te ontwerpen. De eerste vijf vlaggen waren van Evelyn Taocheng Wang, Ola Vasiljeva, Das Institut (Kerstin Brätsch & Adele Röder), Kasper Bosmans en Juliette Blightman.

De vlaggen zijn in België te zien
bij Kunsthal Gent; Netwerk Aalst; Be-Part, Waregem; AAIR, Antwerpen; CIAP, Genk; KIOSK, Gent; La Loge, Brussel en CC Strombeek, Grimbergen.

Sinds eind april en tot eind juli komen er elke week nieuwe vlaggen tevoorschijn aan de gevel van Kunsthal Gent. De vlaggen zijn ook te koop als editie (€150) waarvan de volledige opbrengst naar de kunstenaar gaat.

Four Flags is een initiatief van verzamelaar Siska Bulkens en curator Louis-Philippe Van Eeckhoutte. Volg het project op instagram @fourflags2020

Four Flags

MDC KH 4 FL 2 002 HR

TENTOONSTELLINGSZICHTEN
MDC KK vlag 20200501 LR
MDC KH 4 FL 2 001 LR
MDC KH 4 FL 2 003 LR