#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|
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Opening: 04.06.2023 – 05:46

30.04—31.07.2020

Tentoonstelling

Four Flags

Four Flags is een project dat tijdens de lockdown kunstenaars wil ondersteunen en kunst in de publieke ruimte onder de aandacht brengt. Tijdens een periode van virtuele kunstbeleving brengt het project Four Flags fysiek kunst naar buiten in een reeks vlaggen met werken van kunstenaars, te zien op verschillende plekken in België en Nederland. 30 kunstenaars werden door de initiatiefnemers uitgenodigd om een vlag te ontwerpen. De eerste vijf vlaggen waren van Evelyn Taocheng Wang, Ola Vasiljeva, Das Institut (Kerstin Brätsch & Adele Röder), Kasper Bosmans en Juliette Blightman.

De vlaggen zijn in België te zien
bij Kunsthal Gent; Netwerk Aalst; Be-Part, Waregem; AAIR, Antwerpen; CIAP, Genk; KIOSK, Gent; La Loge, Brussel en CC Strombeek, Grimbergen.

Sinds eind april en tot eind juli komen er elke week nieuwe vlaggen tevoorschijn aan de gevel van Kunsthal Gent. De vlaggen zijn ook te koop als editie (€150) waarvan de volledige opbrengst naar de kunstenaar gaat.

Four Flags is een initiatief van verzamelaar Siska Bulkens en curator Louis-Philippe Van Eeckhoutte. Volg het project op instagram @fourflags2020

Four Flags

MDC KH 4 FL 2 002 HR

TENTOONSTELLINGSZICHTEN
MDC KK vlag 20200501 LR
MDC KH 4 FL 2 001 LR
MDC KH 4 FL 2 003 LR