#84: The White Cube is a lie.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#35: The artist fee should be good.|#61: No all male install teams.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#35: The artist fee should be good.|#61: No all male install teams.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|
