#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
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Opening: 27.11.2020 – 12:00

27.11—11.12.2020

Exhibition

Lockdown II:
Ritsart Gobyn

To bridge the gap between the second lockdown and the reopening of Ritsart Gobyn's exhibition ‘Memories Of Things To Be Done’, we translated some of his paintings to life-size prints. 35 posters of 7 scanned paintings can be discovered in the streets of Ghent. Go and have a look!

Lockdown II:
Ritsart Gobyn

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EXHIBITION VIEWS
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