#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|
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Opening: 27.11.2020 – 12:00

27.11—11.12.2020

Exhibition

Lockdown II:
Ritsart Gobyn

To bridge the gap between the second lockdown and the reopening of Ritsart Gobyn's exhibition ‘Memories Of Things To Be Done’, we translated some of his paintings to life-size prints. 35 posters of 7 scanned paintings can be discovered in the streets of Ghent. Go and have a look!

Lockdown II:
Ritsart Gobyn

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EXHIBITION VIEWS
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