#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
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Opening: 27.11.2020 – 12:00

27.11—11.12.2020

Tentoonstelling

Lockdown posters:
Ritsart Gobyn

Om de brug te slaan tussen de tweede lockdown en de heropening van Ritsart Gobyns tentoonstelling 'Memories Of Things To Be Done' hebben we enkele van zijn schilderijen vertaald naar levensgrote prints. 35 affiches van 7 gescande schilderijen zijn te ontdekken in de straten van Gent.

Lockdown posters:
Ritsart Gobyn

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