#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Don’t be a dick. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#4: Pay what you can.|#107: Build a community / scene.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#34: We pay artists.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Don’t be a dick. Full dishwasher: empty it.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#4: Pay what you can.|#107: Build a community / scene.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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Opening: 21.01.2021 – 00:39

27.11—11.12.2020

Tentoonstelling

Lockdown posters:
Ritsart Gobyn

Om de brug te slaan tussen de tweede lockdown en de heropening van Ritsart Gobyns tentoonstelling 'Memories Of Things To Be Done' hebben we enkele van zijn schilderijen vertaald naar levensgrote prints. 35 affiches van 7 gescande schilderijen zijn te ontdekken in de straten van Gent.

Lockdown posters:
Ritsart Gobyn

MDC KH RG affiches 005 LR

TENTOONSTELLINGSZICHTEN
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