#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|