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Tentoonstellingen: New ?

27.09 — 30.12.24

Clara Spilliaert

My Sister is Pregnant

Opening 27.09.24 — 20:00

31.05 — 31.12.24

Ailbhe Ní Bhriain

An Experiment With Time

29.09.23 — 31.12.24

Apparatus 22

nes•nor•nae

Endless Exhibition ?

06.07.24 — ∞

Kunsthal Gent

Gent, 4 mei 2024, voor Carmela Echegoyen

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26.05.23 — ∞

Ben Thorp Brown, Jan Minne

Cura’s Garden

30.09.22 — ∞

Theo De Meyer, Olivier Goethals

Sheela’s

30.09.22 — ∞

Femmy Otten

We once were one

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04.02.22 — ∞

Groepstentoonstelling

An Exhibition Is Never Finished

28.05.21 — ∞

Eva Fabregas

SKIN-LIKE

19.03.21 — ∞

Felix Kindermann

INTERPLAYS

29.01.21 — ∞

Bram De Jonghe

WISHBONE

25.09.20 — ∞

Martin Belou

Remuer Ciel et Terre

24.01.20 — ∞

Jesse Jones

Syllabus

22.11.19 — ∞

Charlotte Stuby

Keepsake

18.10.19 — ∞

Groepstentoonstelling

When it changed…

20.09.19 — ∞

Joëlle Tuerlinckx

La Fabrique d’un Single screen

24.05.19 — ∞

Rudy Guedj

Sunny 16, Looney 11 / Everything In This World Has Two Handles

25.01.19 — ∞

Michaël Bussaer

Chain

25.01.19 — ∞

Prem Krishnamurthy

Endless Exhibition

25.01.19 — ∞

Olivier Goethals

Spatial interventions KHG01 — KHG04

25.01.19 — ∞

Steve Van den Bosch

Unreliable Sources

25.01.19 — ∞

Thomas Min, Egon Van Herreweghe

Crisis of Masculinity

10.03.50 — ∞

15th century wall painting

Full Archive

Tentoonstellingen: Archive

31.05 — 30.06.24

Curatorial Studies

Grains of Sand Like Mountains

26.01 — 11.05.24

Lysandre Begijn

Archaïc Asylum

26.01 — 21.04.24

Sahjan Kooner

dankEconogy1 _ALIENVillage

Sluiten

Opening:
25.05.19 — 23:00

25.05 — 23.06.19

Curatorial Studies

Harbinger I, First Signs

Designed by Kask’s Curatorial Studies, Harbinger is a programme of lectures, films and an exhibition investigating common grounds between arts and sciences.

Opening:
25.05.19 — 23:00

Harbinger I: First Signs opens this sequence of events with a lineup of international speakers elaborating on themes such as the encounter between arts and sciences, the complex relations between data, debt and speculation and the connections tying matter and consciousness together. For four weeks, always on weekends (from 25 May to 16 June), Kunsthal Gent will host presentations and debates followed by curated screenings. In direct dialogue with the EPS-HEP conference – one of the major physics symposia in the world taking place in Gent this summer – the programme aims to be its philosophical and artistic counterpart. With Paolo Danese’s Discoteca Clandestina, the opening party promises to take dancers from the third to the fifth dimension of existence through music.

From 5 to 17 July, it will be followed by Harbinger II: Subtle Collisions, a group exhibition to be held at UGent’s Botanical Gardens, which will depart from the common practices of artists and scientists who conceive forms of visualization as systems and devices to grasp very different realities around us.

Opening with Discoteca Clandestina.

Programma

31.05 – 20:00

Sci-art: framing arts and sciences

Met Isabel de Sena, Berlin-based independent curator. Specialized in Aesthetics & Philosophy of Science; Marjan Doom, director of the forthcoming Ghent University Museum, Ugent.
01.06 & 02.06, 14:00 – 22:00

Curated screenings
07.06 – 20:00

Going short: prediction as debt & data tracing maps to the future

With Liam Gillick, New York-based artist, screening a slideshow with new reflections; James Beacham, post-doctoral r esearcher at CERN with the ATLAS group (Duke University) and filmmaker
08.06 & 09.06 – 14:00 – 22:00

Curated screenings
14.06 – 20:00

Beyond matter: consciousness on the horizon

With Johan Grimonprez, visual artist, post-doctoral researcher (KASK) and lecturer at the School of Visual Arts (SVA), New York; Michael Tytgat, research team leader in the Experimental Particle Physics group at Ghent University in collaboration with numerous international experiments – TBC.
15.06 & 16.06 – 14:00 – 22:00

Curated screenings

Curatorial Studies

Curatorial Studies is an intensive one-year postgraduate programme covering key positions, legacies, ideas, and debates important to the curatorial. By drawing on the expertise of a broad network of cultural practitioners and institutions, the course aims to facilitate an environment in which a multiplicity of perspectives and critical discourses can thrive. Established in 1999, the programme is the result of a collaboration between KASK & Conservatorium/School of Arts of HOGENT and Howest, Ghent University, S.M.A.K. – the contemporary art museum in Ghent, and Kunsthal Gent.