#92: We’re a learning organisation.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#92: We’re a learning organisation.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|
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Opening: 26.05.2023 – 20:00

26.05—25.06.2023

Tentoonstelling

Curatorial Studies:
Dancing Forward, Looking Backward

Facebookevent

Curatorial Studies (KASK & Conservatorium) stelt de show Dancing Forward, Looking Backward voor.

Tradities bestaan in vele vormen en hebben voor ieder van ons een andere betekenis. Ze worden via ons lichaam nieuw leven ingeblazen als bronnen van gedeelde wijsheid, maar we dragen ze ook mee in ons als beperkende en onderdrukkende krachten. Deze ambiguïteit roept vele vragen op: Hoe verhouden we ons via het lichaam tot zogenaamde traditionele ideeën? Herinnert het lichaam zich wat ooit tot zwijgen werd gebracht? Kunnen lichamen ons iets anders vertellen?

Dancing Forward Looking Backward stelt een groep internationale kunstenaars voor wiens werk de belichaamde complexiteit van traditie behandelt – het lichaam begrijpend als een levend archief. Van queer lezingen over belichaamde ervaringen tot heropvoeringen van uitgewiste verhalen, de kunstenaars onderzoeken hoe onze lichamen op hun eigen manier tradities verzamelen en onthouden, eraan weerstaan en ertegen protesteren of ze vieren en heruitvinden.

  • Deelnemende kunstenaars: Felipe Arturo, Juan Pablo Echeverri, Vincent Ferrané, Tarek Lakhrissi, Wang Mengfan, Almagul Menlibayeva, Julieth Morales, Hwayeon Nam, Sheida Soleimani, Evelyn Taocheng Wang en Xiyadie.
  • Een tentoonstelling door Curatorial Studies 2022-2023: Laura Sofía Arbeláez, Yehbonne Bien, Jiao Feng, Sophie Fitze, Hannah Keirsse, Jessica Meuleman, Davide Musco, Sepehr Sharifzadeh, Milana Starklova, Laurine Tribolet, Lise Van Acker en Dajo Van den Bussche.
  • Met dank aan: Godart Bakkers, Hera Chan, Coll. Wilfried & Yannicke Cooreman, Bieke Criel, Olivia de Vos, Valentijn Goethals, Laura Herman, Harlan Levey, Samuel Saelemakers, Anna Stoppa, Nick Terra, Elles Walschaerts, KIOSK, Kunsthal Gent, S.M.A.K., en Universiteit Gent
MDC KH CS 007 LR
Programma

* De rondleidingen zijn gratis, voor iedereen toegankelijk en beperkt tot 15 personen.

MDC KH CS 001 LR
MDC KH CS 003 LR
MDC KH CS 004 LR
MDC KH CS 005 LR
MDC KH CS 006 LR
MDC KH CS 008 LR
MDC KH CS 009 LR
MDC KH CS 010 LR

Curatorial Studies:
Dancing Forward, Looking Backward

MDC KH CS 002 LR