#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|
