#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#62: Be kind. Full dishwasher: empty it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#26: More artists, less borders.|#82: Clean and sterile looks professional, but really boring.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#62: Be kind. Full dishwasher: empty it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#26: More artists, less borders.|#82: Clean and sterile looks professional, but really boring.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|
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Opening: 25.01.2019 – 18:00

25.01—12.05.2019

Tentoonstelling

Platform voor Grafisch Ontwerp

De grafische identiteit van Kunsthal Gent functioneert als medium voor communicatie, maar tegelijk ook als platform voor grafisch ontwerpers. Het doel is om te contrasteren met en te protesteren tegen de standaardisatie van communicatie—een tendens die ook zijn weg vindt naar de brede cultuursector—waarbij de toeschouwer eerder in zijn grafische voorkeuren wordt bevestigd dan dat hij wordt verrast.
Kunsthal Gent nodigde i.s.m. met LUCA School Of Arts (Inge Ketelers) en KASK School Of Arts (Thomas Desmet) 9 ontwerpers uit om een poster te maken voor één van de activiteiten in het openingsweekend, rekening houdend met een door Kunsthal aangeleverd element.

Ontwerpers:

Hermine Cooreman, Bart de Baets, Sara De Bondt, Daphne Pannier, Audrey Quaranta, Amina Saadi, Lennart Van den Bossche, Lien Van Leemput en Maud Vervenne

Platform voor Grafisch Ontwerp

MDC KH posters2 MR